The Proud little Black Wattle

“A man doesn't plant a tree for himself. He plants it for posterity.”
- Alexander Smith



This young little Black Wattle tree at the bottom of our smallholding is earmarked for eradication, together with a couple of others that have sprung up again since the last clean-up. It's a constant and on-going battle against this alien, Australian species which spreads like wild fire if left unattended, threatening our indigenous trees and grasses. I decided we'll leave the dead one as it's a favourite look-out point for the Fiscal Shrike.

See the previous post about the ongoing battle against Black Wattles

Quacking and Squawking overhead

You cannot prevent the birds of sorrow from flying over your head, but you can prevent them from building nests in your hair.
- Chinese Proverb

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Duck sketches in Moleskine Watercolour sketchbook 8" x 5.5"

As I was filling the bird feeders yesterday morning, I heard a terrible raucous and as I looked up, six ducks came flying over, quacking and chatting, sounding like a busy freeway in the sky. I managed to identify some South African Shell ducks and some Mallards. Peculiar that they were all flying together, but given the Mallard's tendency to mate with anything and anyone, it's probably not that surprising. But there again, what I thought was the Shell ducks might have been female Mallards.


Duck sketches in Moleskine Watercolour sketchbook 8" x 5.5"

This is done in my Moleskine Watercolour Sketchbook, which, when opened, is too long for the scanner to cover both pages, therefore the two pictures.

Watercolour Workshop 3 - Another Wet-on-wet

“I've learned that everyone wants to live on top of the mountain, but all the happiness and growth occurs while you're climbing it.”
- Unknown


Art Class wet-on-wet 31/03/2010 15" x 11"

For the third workshop I attended with Angela Eidelman last week Wednesday, we had to stretch and prepare our paper at home beforehand and this week's practice was wet-in-wet again. We had to draw the outlines of the scene we were going to paint, from pictures Angela supplied, with Cerulean blue and then, paint it wet-on-wet, keeping in mind our composition, light source, focal point, etc., with Angela constantly peeping over our shoulders, giving encouragement and advice. Thoroughly enjoyed this exercise! This is the painting I completed during the workshop.

The Mulder's Drift

But the majestic river floated on, Out of the mist and hum of that low land, Into the frosty starlight.
-Arnold, Matthew


"The Mulder's Drift" - ink sketch and watercolour in Moleskine sketch-book 8" x 5.5"

The area of Tarlton is surrounded by a plethora of streams and little rivers, many originating as storm water flow offs from Randfontein, Krugersdorp and Roodepoort or from springs emerging in various vleis (swamp lands) situated all over the Witwatersrand. This little stream, known as the Mulder's Drift, originates somewhere in Strubensvalley, and flows through the sleepy village of Muldersdrift on its way to join the Crocodile River, eventually ending up at Hartebeespoort Dam, from where the overflow joins South Africa's biggest River, the Orange River, which passes the southern edge of the Kalahari Desert and winds through the Namib Desert before draining into the Atlantic Ocean at Alexander Bay, South Africa.

Below you can see where this humble little stream ends up!


The Orange River mouth and wetland on the coast of Namibia. At the mouth of the river are rich alluvial diamond beds. A sandbar at its mouth limits navigation, but the river is used extensively for irrigation.

When can you call yourself an artist?

The true artist paints for himself.
- A. C. Leighton

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Wet-on-wet mountain landscape - watercolour on Bockingford 300gsm - 12" x 8" - Maree©

For this wet-on-wet scene, after wetting the paper, I sketched the main outlines of my scene using my Rigger and Cerulean Blue, a "trick" I picked up at my watercolour workshop on Wednesday. I'm sure many of you use this technique (I know West Coast artist Marie Theron does), but I've always been somewhat of a sketchy person, using my pencil, going into great detail with a lot of erasing happening. It's only been the past couple of months since I started practicing painting with no sketching beforehand that I feel confident enough to consider doing this.

The other day I was reading the article "When can you call yourself an Artist?" -
- and yesterday morning I felt like an artist! Standing in front of the easel, arm outstretched with the Rigger, creating a beautiful masterpiece!

I didn't use any reference material either, just my imagination.

By the way, to answer the question above, I think the best reply was as follows :

“You are an artist when you make art. Many artists spend their lives not selling their work … One of the first requirements for an artist is to ignore those who would define whether they are artists. The only real measure is the person making the art or, if need be, posterity.” -- Jon