"Jonathan Seagull discovered that boredom and fear and anger are the reasons that gull’s life is so short and with these gone from his thought, he lived a long fine life indeed."
- From 'Jonathan Livingstone Seagull'
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"The Seagull and the beach" - watercolour in Moleskine Watercolour sketch-book
8.5" x 5" - Maree©
This is done from my imagination – I'm longing for the beach and seagulls!
"Seagull, you fly across the horizon
Into the misty morning sun.
Nobody asks you where you are going,
Nobody knows where you're from.
Here is a man asking the question
Is this really the end of the world?
Seagull, you must have known for a long time
The shape of things to come.
Now you fly, through the sky, never asking why,
And you fly all around 'til somebody, Shoots you down.
Seagull go and fly,
Fly to your tomorrow, leave me to my sorrow, fly."
I am a watercolorist living on my little piece of African soil in Ballito, KwaZulu Natal, South Africa. The inspiration for my art is the wonderfully rich variety of Fauna and Flora to be found throughout this beautiful country.
Art & Creativity - Maree Clarkson
JUST ME :: and a stack of blank pages
:: Living creatively ::
Pages
About me
This is the real secret of life — to be completely engaged with what you are doing in the here and now. And instead of calling it work, realise it is play. The only thing that is ultimately real about your journey is the step that you are taking at this moment. That’s all there ever is. I’m here to tell you that the path to peace is right there, when you want to get away. When you are present, you can allow the mind to be as it is without getting entangled in it. If you miss the present moment, you miss your appointment with life. That is very serious!
Tuesday, March 23, 2010
Saturday, March 20, 2010
Exploring Tonal value
As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them – to restock the trout pond, so to speak.
- Julia Cameron
Beach and trees - tonal value exercise
My watercolour workshops with Angela Eidelman are two weeks apart - every second Wednesday - and probably just as well - after three hours of watching, listening, planning, and actual sketching exercises, I find myself totally exhausted afterwards, and I'm telling myself it's NOT an age thing! My younger counter-parts like Cathy Gatland (read her workshop up-dates with Hazel Soan here) and Debbie Schiff (read Debbie's posts about her art class with Hazel Soan here) have both complained about the same thing. It's hard and exhausting work setting up your work station, trying to take in everything and anxiously trying not to make a complete botch-up of your exercises, right there where everybody is witness to the whole thing!
So for two weeks until my next class, I've got plenty of time to practice all the basics. At first I've been trying to do everything all in one painting - the planning, good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I've given that up as a bad job and am spending a day or two on each point - the exercise above is mostly about tonal value, but it also gave me a chance to explore the source of where my light is coming from and making sure I don't have shadows running in all sorts of directions!
- Julia Cameron
Beach and trees - tonal value exercise
My watercolour workshops with Angela Eidelman are two weeks apart - every second Wednesday - and probably just as well - after three hours of watching, listening, planning, and actual sketching exercises, I find myself totally exhausted afterwards, and I'm telling myself it's NOT an age thing! My younger counter-parts like Cathy Gatland (read her workshop up-dates with Hazel Soan here) and Debbie Schiff (read Debbie's posts about her art class with Hazel Soan here) have both complained about the same thing. It's hard and exhausting work setting up your work station, trying to take in everything and anxiously trying not to make a complete botch-up of your exercises, right there where everybody is witness to the whole thing!
So for two weeks until my next class, I've got plenty of time to practice all the basics. At first I've been trying to do everything all in one painting - the planning, good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I've given that up as a bad job and am spending a day or two on each point - the exercise above is mostly about tonal value, but it also gave me a chance to explore the source of where my light is coming from and making sure I don't have shadows running in all sorts of directions!
Friday, March 19, 2010
Watercolour Workshop 2 - Wet-on-Wet
We all have time to paint. We have time to paint the minute we are willing to paint badly, to chase a dead end, to scribble a few words, to paint for the hell of it instead of for the perfect and polished result.
- Julia Cameron
Art class wet-on-wet 17/03/2010 on Bockingford 300gsm - Maree
This past Wednesday was my second watercolour workshop with Angela Eidelman, Honorary Chairman of the W.S.S.A. (Watercolour Society of South Africa), and this week we covered wet-in-wet, that loose, elusive style that so many artists strive for.
A new concept of painting for me - having to keep in mind good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I usually just go with my gut feeling of what feels or looks good to my (untrained!) eye. So for the next two weeks it's the three big P's - practice, practice and practice!
- Julia Cameron
Art class wet-on-wet 17/03/2010 on Bockingford 300gsm - Maree
This past Wednesday was my second watercolour workshop with Angela Eidelman, Honorary Chairman of the W.S.S.A. (Watercolour Society of South Africa), and this week we covered wet-in-wet, that loose, elusive style that so many artists strive for.
A new concept of painting for me - having to keep in mind good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I usually just go with my gut feeling of what feels or looks good to my (untrained!) eye. So for the next two weeks it's the three big P's - practice, practice and practice!
Thursday, March 18, 2010
Crocodile River
“When the river is deepest it makes least noise.”
- Chinese Proverb
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Crocodile River, Broederstroom" - watercolour in Moleskine Portfolio 12" x 8" - Maree©
When we choose to go to Hartebeespoort Dam via Broederstroom, we cross over the Crocodile River (the same river I collected water from to sketch the gate scene in the previous post), which feeds the dam, offers white water rafting, and includes overnight options complete with riverside camping. Tubing, canoeing and cable slides into the river are also available.
I did this sketch from memory after we returned from our lunch and is the view from the bridge.
- Chinese Proverb
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Crocodile River, Broederstroom" - watercolour in Moleskine Portfolio 12" x 8" - Maree©
When we choose to go to Hartebeespoort Dam via Broederstroom, we cross over the Crocodile River (the same river I collected water from to sketch the gate scene in the previous post), which feeds the dam, offers white water rafting, and includes overnight options complete with riverside camping. Tubing, canoeing and cable slides into the river are also available.
I did this sketch from memory after we returned from our lunch and is the view from the bridge.
Monday, March 15, 2010
Keep out!
Creativity occurs in the moment, and in the moment we are timeless.
- Julia Cameron
This farm gate scene is not far from us in Broederstroom, a farm bordering on the Crocodile river, on our way to Hartebeespoort Dam. We stopped to give our puppy a chance to go to the toilet and I was faced with this wonderful gate right in from of me!
To hubby's utmost frustration, I actually hauled out my paint set, collected water from the river and quickly started doing the sketch. The frustration was because it took a bit longer than normal, actually putting in the colour right there - normally I would do a preliminary sketch and finish it off at home - this took me just over half an hour, while Dave and Jacko explored just inside the fence, but we were soon on our way and I fiddled a bit when we got home.
This was done in my Moleskine Folio watercolour sketchbook, 12" x 8".
- Julia Cameron
This farm gate scene is not far from us in Broederstroom, a farm bordering on the Crocodile river, on our way to Hartebeespoort Dam. We stopped to give our puppy a chance to go to the toilet and I was faced with this wonderful gate right in from of me!
To hubby's utmost frustration, I actually hauled out my paint set, collected water from the river and quickly started doing the sketch. The frustration was because it took a bit longer than normal, actually putting in the colour right there - normally I would do a preliminary sketch and finish it off at home - this took me just over half an hour, while Dave and Jacko explored just inside the fence, but we were soon on our way and I fiddled a bit when we got home.
This was done in my Moleskine Folio watercolour sketchbook, 12" x 8".
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