Watercolour Workshop 2 - Wet-on-Wet

We all have time to paint. We have time to paint the minute we are willing to paint badly, to chase a dead end, to scribble a few words, to paint for the hell of it instead of for the perfect and polished result.
- Julia Cameron


Art class wet-on-wet 17/03/2010 on Bockingford 300gsm - Maree

This past Wednesday was my second watercolour workshop with Angela Eidelman, Honorary Chairman of the W.S.S.A. (Watercolour Society of South Africa), and this week we covered wet-in-wet, that loose, elusive style that so many artists strive for.

A new concept of painting for me - having to keep in mind good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I usually just go with my gut feeling of what feels or looks good to my (untrained!) eye. So for the next two weeks it's the three big P's - practice, practice and practice!

The learning curve - Watercolour Workshop 1

Doing work points the way to new and better work to be done.
- Julia Cameron


Original "Field in Oaktree" watercolour 12" x 8"
(Click on images to enlarge)

During my watercolour workshop, my teacher took my above painting to demonstrate to the class how a good painting can become exceptional - she showed me where to add some colour and soften some lines, and to add some softness in the distance to draw the eye to the focal point. Little changes, but with amazing results! We could play, "Spot the difference" here!


"Field in Oaktree" corrected

I know what I think, you be the judge! - this is such a learning curve for me and I'm so excited, and impatient! and ready, to go to the next level of my growth.