Cape Dutch Homestead

Watercolour on Visual 200gsm 

This was virtually one of my first forays into watercolour painting in the late 80's and done from a photograph I had found in a magazine (I think!)

The Cape Province in South Africa is renowned for the Cape Dutch style of building since Jan van Riebeeck landed on our Southern shores in 1652. Early homes in Cape Town and it’s surrounds were built in the Cape Dutch architectural style, unique to a small area of the world and unquestionably beautiful. The style has sources as widely different as mediaeval Holland and Germany, the France of the Huguenots and the islands of Indonesia.

Houses in this style have a distinctive and recognizable design, with a prominent feature being the grand, ornately rounded gables, reminiscent of the townhouses of Amsterdam. The houses are also usually H-shaped, with the front section of the house usually being flanked by two wings running perpendicular to it. Furthermore, walls are whitewashed, and the roofs are thatched.

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Icons of Africa

W&N watercolour on amedeo 200gsm watercolour paper

Two icons of the African bush - the mysterious and legendary Baobab tree and the powerful, graceful and arguably one of the most beautiful of all the large cats, the elusive Leopard.

Did you know that the Baobab (Andansonia) is the largest succulent plant in the world? It is a tree that can provide, food, water, shelter and relief from sickness.

Solitary, arboreal and nocturnal, the Leopard is a master of stealth and survival. By far the strongest climber, it can haul prey twice its own body weight up into a tree where it can feast without disturbance from other predators.

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Chameleon (Chamaeleonidae)

W&N watercolour on Amedeo 200gsm 

Chameleons are fascinating and amazing creatures, always popular with anyone who sees them. They belong to the lizard family and the word 'Chameleon' means 'Earth Lion'.

I just love Chameleons and there was a time when I used to have them in my garden regularly - no more. I haven't seen a Chameleon for... years. Yes, years... I know they might have difficulty getting into the property because of the high walls, but I at least used to see them on my walks. The over-population in rural areas is really having an effect on these wonderful little creatures...

The main distribution of Chameleons is Africa and Madagascar, and half of the world's chameleon population lives on the island of Madagascar. They are famous for their ability to change colour. This serves as a form of communication, a response to temperature, light, and mood, as well as a defense against predators. Their eyes can rotate and swivel independently, enabling them to see almost a complete 360-degrees or observe two things simultaneously. Their tongues can be as long as their bodies. Chameleons can balance on a branch by gripping it with their claws and wrapping their tail around the branch to hold on. Chameleons can even sleep upside down!

There are thought to be more than 160 different species of chameleon that range from just an inch to more than a couple of feet in size. The tiny pygmy leaf chameleon, found in the jungles of Madagascar, is the smallest species of chameleon with some males measuring less than 3 cm long with the largest growing to almost 70cm long.

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Crow wears a silver band

W&N watercolour on Amedeo 200gsm
Cape or Black Crow (Corvus capensis) – endemic to Africa
With thanks to John from Midmarsh Jottings for the use of his beautiful photograph.

Crow wears a band of silver on his ankle, holds it out to watch it glint in the sun like cool creek water. It is noon. He is the only one out. All others have sought shelter under the canopy of live oak, the leaves beneath the chaparral, Crow, the only one among them unafraid to cast a shadow. He is a black body to absorb the sun’s heat, and yet unheated.

He’s silver studded with stones, turquoise to match the cloudless sky. He stretches out his leg again, watches sky and water glisten on his ankle.

He flexes claws and brings his foot beneath him again, stretches out his other, naked foot for balance. His feet are beautiful, furrowed skin like charcoal scales, sharp and onyx claws. As flexible as hands, good for grasping new-hatched thrushes or pulling gate hooks from eye bolts, and sleek. The humans see crow’s feet in the faces of their most seasoned elders, the scars of a learned life spent laughing.

Crows’ feet, the mark of craft and cunning, crow’s feet a sense of humour made skin and sinew.
He swings down on the branch, holds himself upside down and swinging, the silver falling down around his upper leg as he barks in delight. Sky below his feet and swaying, silver pools above his head. The world so beautifully inverted, he cannot keep from laughing. This is beauty: the world turned upside down. You can keep your lithe ingénues, your florid sunsets and cloying sentiment: beauty is all that cleft in two, a cunning spark suspended by crow’s feet, a fall from a deadly height and then the swoop of wing, the thickening of the air beneath splayed feathers. Seeing air rising within air and climbing on it, sun glinting blue-black as night sky off your feathers? Night colours blazing brilliant from your feathers? Beauty is day turned to night and night to day.

Heart beats furious beneath that dark breast, mind burns in onyx eyes. Beauty a glint of laughter in a bottomless dark eye. He barks again.

Sun above live oak, a thousand suns refracted on the earth below. Grasshoppers leap into the air clicking. Wild oats, tawn in the summer heat, lean eastward with the breeze, and a wall of fog on the ocean twenty miles west. All this beauty: all this.
<sup>Story from Coyote Crossing

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The stately Raven

Parker pen and Black Quink ink with watercolour on Bockingford 300gsm

Once upon a midnight dreary, while I pondered weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
‘Tis some visitor,’ I muttered, ‘tapping at my chamber door -
Only this, and nothing more.’

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

But the raven, sitting lonely on the placid bust, spoke only,
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered – not a feather then he fluttered -
Till I scarcely more than muttered `Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.’
Then the bird said, `Nevermore.’
<sup>Extract from The Raven – Edgar Allan Poe – [First published in 1845]

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Light and shadow

W&N watercolour on Bockingford 300gsm 

... light and shadow reveal a silent presence on a kitchen counter…

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Leopard on the rocks

The leopard lingered in the sun
Almost at close of day,
With all its hours almost done
And fast to ebb away…
The leopard lets his memories
Remind him now and then,
Because he knew each day must cease
When moonlight shone again...

Black Pilot FineLiner ink sketch and W&N watercolour on Amedeo 200gsm 

An African Leopard sunning himself on some rocks. Powerful, graceful and arguably one of the most beautiful of all the large cats, the elusive leopard is a master of stealth and survival. 

In the Cape Province south of the Orange River (South Africa), they have been largely eradicated by stock farmers except in rugged mountainous areas. The Cape Leopard that lives in the Cape mountain range is much smaller than its big cousins in the Limpopo region. Their diet is probably the contributing factor, consisting mostly of dassies and much smaller prey.

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Solly's house

“Winter is the time for comfort, for good food and warmth, for the touch of a friendly hand and for a talk beside the fire: it is the time for home.” 

― Edith Sitwell 

W&N watercolour on Bockingford 300gsm 

Solly’s house (our handiman factotum) on our smallholding (Tarlton, Gauteng, South Africa) 

No matter the size or location, a true home is one of the most sacred of places. It is a sanctuary into which men flee from the world’s perils and alarms. It is a resting-place to which at close of day the weary retire to gather new strength for the battle and toils of tomorrow. It is the place where love learns its lessons, where life is schooled into discipline and strength, where character is moulded.

 Another sketch of Solly's house that I did a few years ago

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African silhouettes

The shadows now so long do grow, That brambles like tall cedars show, Molehills seem mountains, and the ant Appears a monstrous elephant.

- Charles Cotton 

Watercolour on Amedeo 200gsm – 12″ × 8″ 

Elephants (Loxodonta africana) in the shadow of a mountain on their way to water in the northern parts of the Kalahari desert (South Africa).

A portion of the Kalahari Desert transforms for a brief period each year from a parched expanse of arid wasteland to a bountiful floodplain packed with channels, lagoons, swamps and islands — and it has the Okavango River to thank for this temporary transformation into paradise.

During the annual inundation, the Okavango Delta region draws migrating animals like a magnet, among them herds of Kalahari elephants. Elephants must have water on a regular basis, so as the dry season reaches a peak, they follow ancient instincts across the scorched and desiccated sands to the promise of boundless waters in the west.

As the elephants slowly make their way toward the delta, many can survive on what little resources they find until they finally enjoy a respite in the rich lands touched by the Okavango. Other herds will not complete the migration and may lose members to the harsh and competitive environment of the desert.

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Jonathan Seagull

“To fly as fast as thought, to anywhere that is,” he said, ”you must begin by knowing that you have already arrived…” 

- From ‘Jonathan Livingstone Seagull’ 

After I read “Jonathan Livingstone Seagull” and because of all the Seagulls that often fly over my garden in Tarlton, South Africa (600km from the coast!), I was inspired to do some more Seagull sketches again – I’ve always been enamoured by these birds, especially their plight of constantly being trapped with plastic and metal rings around their necks and feet. It’s a passion that has been lying dormant for some time and awakened by this wonderful little book again.

Something I didn’t know, is that Seagulls are most closely related to the terns (family Sternidae) and only distantly related to auks, skimmers, and more distantly to the waders. But whoever they are related to, I personally would categorise them with Crows, one of my favourite, most intelligent birds! The same as crows, most gulls will take live food or scavenge opportunistically. And their love for man-made “junk food” defies belief! They will go to ANY length for some tasty hot potato chips with tomato sauce!

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Jack Frost's colours

W&N watercolour on a coffee back-ground (Nescafé instant, black and strong!) on Amedeo 200gsm 

There are popular and scientific myths about the causes of fall colour in trees. Jack Frost is alleged to paint tree leaves with his chilling touch, bringing on colour change along with a frosty coating. Another twist on this myth is that Jack Frost brings reds and purples to autumn trees by pinching the leaves with his icy fingers. A less poetic explanation of fall colour, favoured by scientists for decades, is that the autumnal colouring of leaves was caused by waste products accumulated in the leaves and revealed to us with the fading of green chlorophyll pigments. As it turns out, the waste product theory now seems to be considered a bunch of, well, crud. The fall colour pigments are produced, or revealed, only in living leaf cells of deciduous trees during the critical, seasonal process of leaf senescence. In fact, if Jack Frost did his thing too early, or, in other words, if there was an early killing frost, the leaf colour display would be dulled, if not stopped altogether.
- Info from Why Tree Leaves turn color in Autumn

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The Cheetah

Cats (the Cheetah) were put into the world to disprove the dogma that all things were created to serve man.
~Paul Gray

  Cheetah (Acinonyx jubatus)- W&N watercolour, using only Sepia, on Bockingford 300gsm 

The cheetah is a large-sized feline (family Felidae) inhabiting most of Africa and parts of the Middle East. The cheetah is the only extant member of the genus Acinonyx, most notable for modifications in the species’ paws. As such, it is the only felid with non-retractable claws and pads that, by their scope, disallow gripping (therefore cheetah cannot climb vertical trees, although they are generally capable of reaching easily accessible branches).
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My favourite outfit

W&N watercolour on Bockingford 300gsm

This used to be one of my favourite outfits. Unfortunately the jacket is all frayed on the cuffs and my little red pumps have seen better days! I find it really difficult to find nice jackets. South Africa is never really cold enough for anything too thick, and this cotton one with a satin lining was just perfect.

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Painted Dog

Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals.”
- George Orwell

I did this painting with coffee on a tea-stained back-ground (Nescafé instant, black, and VERY strong!) – Bockingford 300gsm – 12″ × 8″

The Painted dog or African Wild Dog (Lycaon pictus), is a medium-sized canid found only in Africa, especially in savannahs and other lightly wooded areas. It is also called the Painted Hunting Dog, African Hunting Dog, the Cape Hunting Dog, the Spotted Dog, the Ornate Wolf or the Painted Wolf in English, Wildehond in Afrikaans, and Mbwa mwitu in Swahili. It is the only extant species in the genus Lycaon, with one species, L. sekowei, being extinct.

There were once approximately 500,000 African Wild Dogs in 39 countries, and packs of 100 or more were not uncommon. Now there are only about 3,000-5,500 in fewer than 25 countries or less. They are primarily found in Eastern and Southern Africa, mostly in the two remaining large populations associated with the Selous Game Reserve in Tanzania and the population centered in northern Botswana and Eastern Namibia.

Whilst the largest population resides in the Kruger National Park (South Africa), some wild dogs have been released into Madikwe, Pilanesberg and Hluhluwe-Imfolozi, South Africa.

Autumn song

W&N watercolour on Bockingford 300gsm

We've seen the last of Autumn here in South Africa and Winter has settled in with cold but bright days.

Know’st thou not at the fall of the leaf

How the heart feels a languid grief

Laid on it for a covering,

And how sleep seems a goodly thing

In Autumn at the fall of the leaf?

And how the swift beat of the brain

Falters because it is in vain,

In Autumn at the fall of the leaf

Knowest thou not? and how the chief

Of joys seems—not to suffer pain?

Know’st thou not at the fall of the leaf

How the soul feels like a dried sheaf

Bound up at length for harvesting,

And how death seems a comely thing

In Autumn at the fall of the leaf?

- By Dante Gabriel Rossetti

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