Exploring Tonal value

As artists, we must learn to be self nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them – to restock the trout pond, so to speak.
- Julia Cameron


Beach and trees - tonal value exercise

My watercolour workshops with Angela Eidelman are two weeks apart - every second Wednesday - and probably just as well - after three hours of watching, listening, planning, and actual sketching exercises, I find myself totally exhausted afterwards, and I'm telling myself it's NOT an age thing! My younger counter-parts like Cathy Gatland (read her workshop up-dates with Hazel Soan here) and Debbie Schiff (read Debbie's posts about her art class with Hazel Soan here) have both complained about the same thing. It's hard and exhausting work setting up your work station, trying to take in everything and anxiously trying not to make a complete botch-up of your exercises, right there where everybody is witness to the whole thing!

So for two weeks until my next class, I've got plenty of time to practice all the basics. At first I've been trying to do everything all in one painting - the planning, good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I've given that up as a bad job and am spending a day or two on each point - the exercise above is mostly about tonal value, but it also gave me a chance to explore the source of where my light is coming from and making sure I don't have shadows running in all sorts of directions!

Watercolour Workshop 2 - Wet-on-Wet

We all have time to paint. We have time to paint the minute we are willing to paint badly, to chase a dead end, to scribble a few words, to paint for the hell of it instead of for the perfect and polished result.
- Julia Cameron


Art class wet-on-wet 17/03/2010 on Bockingford 300gsm - Maree

This past Wednesday was my second watercolour workshop with Angela Eidelman, Honorary Chairman of the W.S.S.A. (Watercolour Society of South Africa), and this week we covered wet-in-wet, that loose, elusive style that so many artists strive for.

A new concept of painting for me - having to keep in mind good composition, focal point, light source, tonal value, and where the most detail or the least detail is. I usually just go with my gut feeling of what feels or looks good to my (untrained!) eye. So for the next two weeks it's the three big P's - practice, practice and practice!

Crocodile River

“When the river is deepest it makes least noise.”
- Chinese Proverb

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Crocodile River, Broederstroom" - watercolour in Moleskine Portfolio 12" x 8" - Maree©

When we choose to go to Hartebeespoort Dam via Broederstroom, we cross over the Crocodile River (the same river I collected water from to sketch the gate scene in the previous post), which feeds the dam, offers white water rafting, and includes overnight options complete with riverside camping. Tubing, canoeing and cable slides into the river are also available.

I did this sketch from memory after we returned from our lunch and is the view from the bridge.

Keep out!

Creativity occurs in the moment, and in the moment we are timeless.
- Julia Cameron



This farm gate scene is not far from us in Broederstroom, a farm bordering on the Crocodile river, on our way to Hartebeespoort Dam. We stopped to give our puppy a chance to go to the toilet and I was faced with this wonderful gate right in from of me!

To hubby's utmost frustration, I actually hauled out my paint set, collected water from the river and quickly started doing the sketch. The frustration was because it took a bit longer than normal, actually putting in the colour right there - normally I would do a preliminary sketch and finish it off at home - this took me just over half an hour, while Dave and Jacko explored just inside the fence, but we were soon on our way and I fiddled a bit when we got home.

This was done in my Moleskine Folio watercolour sketchbook, 12" x 8".

A new family!

"The key to everything is patience. You get the chicken by hatching the egg - not by smashing it."

- Arnold Glasow

"Pippie the Hen" - watercolour on Visual 140gsm - 12" x 8" - Maree©

This is Pippie, one of Kingston's hens, getting quite fluffed up having me so close and personal in her space! The other hen took off as soon as I approached, but I think Pippie's brood is about to hatch and she's not being intimidated by a lunatic with a sketch-book!

She was in Kingston's harem when I bought them, just in time, as he was destined for the pot. I haven't brought them over to my yard yet as some of the hens are still sitting on eggs, so I'll be getting a few extra for my money spent!

The learning curve - Watercolour Workshop 1

Doing work points the way to new and better work to be done.
- Julia Cameron


Original "Field in Oaktree" watercolour 12" x 8"
(Click on images to enlarge)

During my watercolour workshop, my teacher took my above painting to demonstrate to the class how a good painting can become exceptional - she showed me where to add some colour and soften some lines, and to add some softness in the distance to draw the eye to the focal point. Little changes, but with amazing results! We could play, "Spot the difference" here!


"Field in Oaktree" corrected

I know what I think, you be the judge! - this is such a learning curve for me and I'm so excited, and impatient! and ready, to go to the next level of my growth.

5-Minute exercises

“In our lives there is bound to come some pain, surely as there are storms and falling rain; just believe that the one who holds the storms will bring the sun.”

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Storm Brewing" - watercolour on Bockingford 300gsm - Maree© (no sketching)

I decided it was time for some quick 5-minute exercises again with no sketching before-hand and to encourage looseness and I did these two in under 5 minutes each. These quick exercises really irk me - my brush just itches to do more and more!


"The Beach" - watercolour on Bockingford 300gsm - 12" x 8" - Maree© (no sketching)

Scene at Harties

"If you can express your soul, the rest ceases to matter."

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Scene at Hartebeespoort Dam - watercolour in Moleskine watercolour sketchbook - Maree©

You might have noticed that Hartebeespoort Dam (also known as Harties) holds a special fascination for me. The scenery possibilities are endless, ranging from location to the time of day and the change of light.

Most of the time, like this one, I stop for a quick sketch on our way there, other times I will work off one of my photographs. I've been meaning to take a trip up the cable car, but every time I've been there, it has been closed for some reason or another. It's next on my wish-list.

Gum Forest 0n 84

Approaching a tree we approach a sacred being who can teach us about love and about endless giving. She is one of millions of beings who provide our air, our homes, our fuel, our books. Working with the spirit of the tree can bring us renewed energy, powerful inspiration, deep communion.
- Druid Tree Lore

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Gum Forest on 84" - watercolour on Bockingford 300gsm - 9" x 12" - Maree©

A suggestion of a Blue gum forest - colour put directly onto the paper without any prior sketching. (The "84" in the title is the number of the smallholding where I live.)

This sketch is bigger than the rest of the Gum Forest Series, which is 5.5" x 7.5", and here I'm exploring the same method of not sketching and just using colour to suggest the image, just going bigger. It's easy putting colour on a smaller painting - the bigger you go, the more colour you have to mix and the quicker you have to paint - I also invested in two new round Winsor & Newton BIG brushes - no's 24 and 28 - I'm sure one gets bigger, but that was the biggest size Pen & Paper in Clearwater Mall had. Now I need a bigger flat - I've got a Nylon Daler ¾" - I probably need a 1"?

Sunshine Award!

I received the SUNSHINE AWARD for "Creativity and Positivity in Blogging" from Artist Marie Theron, who chronicles the West Coast of South Africa with her beautiful paintings and history of the area. Thank you Marie, it's a great honour coming from you!

If one accepts the reward it must be passed on to 12 others. One must also let them know that they are nominated. Everything must be linked to everything.... whew!

Here is my list of creative and positive bloggers who inspire and give joy to others. Please follow their links so you can meet these outstanding artists!

1. Pam Johnson Brickell
2. Cathy Gatland
3. Cathy Johnson
4. Debbie Schiff
5. Vickie Henderson
6. Melissa Fischer
7. All the correspondents at SKETCHING IN NATURE
8. Ronell van Wyk
9. Teri Casper
10. Toni Kelly
11. The Happy Painter
12. Jean Haines

The rules for accepting this award are simply to:

1. Post the Sunshine Award logo on your blog, on your post or both.
2. Pass this onto 12 bloggers who you admire.
3. Inform them of the award.
4. Link the person who awarded you in the first place.

Spring Farm landscape

“The best thing one can do when it's raining is to let it rain.”
- Henry Wadsworth Longfellow, American Poet in the 19th century, 1807-1882)

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Spring Farm landscape" watercolour on Bockingford 300gsm - Maree©

Passing by Spring Farm on our way to Magaliesburg, I once again took the chance to do a quick sketch of the dam from a different angle, finishing it off once we got home. We've had plenty of rain and the dam has crept over its banks, forming vleis on both sides.

(In geography of South Africa a vlei is a shallow seasonal or intermittent lake. The word is of Dutch/Afrikaans origin meaning 'pond', 'marsh', and is pronounced as "flay". Vleis vary in their extent according to the fall of rain or dryness of the season.)

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Childhood memories - Albasini Dam

"Since it doesn't cost a dime to dream, you'll never short-change yourself when you stretch your imagination."
~ Robert Schuller

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Albasini Dam" watercolour on Bockingford 300gsm - Maree© (no sketching)

This sketch is remembering childhood days in the 1950's, I was about 10 years old, when I lived in the Limpopo Province (then it was known as the Northern Tansvaal) in Pietersburg (Now Polokwane), when I used to go fishing with my dad at the Albasini Dam, surrounded by the Soutpansberg Mountains, at Louis Trichardt. Once we'd arrived and set up the fishing rods, we'd sit for hours waiting for a bite, chatting about everything and nothing in particular, sipping cold coffee from the flask my mother had packed.

A bite, however, would result in scrambling for the fishing rod, excitedly reeling the fish in, me not being able to wait to see what we'd caught. Most of the time it was only a Barbel, a carp-like freshwater catfish that cooked beautifully over our camp fire. My dad would gut and clean it, slicing it into big, round, fat steaks, and then fry it together with slices of cold potatoes, and devour it with fresh home-made bread and thick butter.

My mother always packed far too much food for our trips - the fresh, home-made bread she'd baked the night before, hard-boiled eggs, baked potatoes still in their foil, beef sausages and gherkins and pickles. And, of course, the coffee flask.


Barbel catfish

The Albasini Dam was built in 1952 and is named after Joao Albasini, who was born 1 May 1813, in Lisbon, Portugal. He came to Lourenço Marques in 1831 and became a slave trader and Elephant hunter. The remains of his trading post can be found at the new Phabeni Gate, 10 km from Hazyview.

This dam was built primarily to supply the Levubu Irrigation Scheme. The dam has a capacity of 28,200 cubic meters (1,000,000 cu ft), and a surface area of 3.498 square kilometers (1.351 sq mi) and the wall is 34 meters (110 ft) high.


A small tributary off the Albasini Dam - The upper Luvuvhu, Sterkstroom, Latonyanda, Dzindi, Mukhase, Mbwedi and Mutshindudi are steep, narrow rivers dominated by cobble riffles and occasional pools with a few bedrock rapids. These were our favourite fishing spots.

Gum Forest 8

If you reveal your secrets to the wind you should not blame the wind for revealing them to the trees.
- Khalil Gibran

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Gum Forest 8" watercolour on Bockingford 300gsm - Maree© (no sketching)
Size : 5.5" x 7.5"

(This Series is for sale on my SALES BLOG)

The eighth and last sketch in the Gum Forest series where I've been experimenting with not doing any preliminary sketches before painting, just putting colour directly onto the paper and seeing what develops. This cool palette would also look lovely in a sepia frame and will display well together with No. 1 in the Gum Series.

The other side of Harties

"...try to forget what objects you have before you, a tree, a house, a field or whatever ... merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape..."
- Claude Monet

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"The other side of Harties" - watercolour in Moleskine watercolour sketch-book - Maree©

For me, this is "the other side of Hartebeespoort Dam" - not the usual route we always take over the dam wall, but turning off at Strawberry Farm and going into the Villa D'Afrique housing estate - the estate has got a wildness about it, away from the normal hustle and bustle of the dam, very peaceful and quiet.

I found a comfortable rock, prepared my palette and just put the colour straight on the paper, with no sketching, starting with the water - the reflections were great and high above the the Magaliesberg mountains the vultures were soaring, not in my pic, making use of the warm thermals to gain height. A perfect day for sketching!

South Africa's King

Rinkhals in my garden

In the past couple of weeks I've had to temporarily give up my sojourns into our Blue gum forest at the bottom of our property where I go to sketch and paint, due to all the rain we've had, which has resulted in a larger than normal number of snakes that I encounter while trying to settle in to sketch.

While you're concentrating on a specific tree, it's rather disconcerting hearing the leaves rustle and then seeing a Rinkhals (Spitting Cobra) nonchalantly sailing in your direction. It means either sitting dead still, hoping he's not going to notice you, or it's a mad scramble trying to get out of the way (and then alerting him to your presence), sending easel or sketchbooks and water flying through the air!

In the past 2 weeks I have already rescued and evicted two Rankhalses from my garden (the pleasure of my garden only to be enjoyed by Mollie, my resident Mole Snake or the Brown House Snake - all others like the Rinkhals and the various Adders are summarily evicted!). Chrissie, my gardener, immediately takes a short-cut home when she sees I'm busy catching a snake for safe delivery to a dam nearby us.


Rinkhals - Hemachatus haemachatus

The Rinkhals is a member of the Cobra family and is also a spitting cobra. It is the smallest of the cobras reaching only about 1.2m or about 4 ft in length. It is a venomous elapid species found in parts of southern Africa. It is one of a group of cobras that has developed the ability to spit venom as a defense mechanism. Rinkhals are unique amongst African cobras in being ovoviviparous. They give birth to 20-35 young, but as many as 65 babies have been recorded. The Rinkhals is unique also, compared to cobras, as it has keeled scales.

If you would like to read more about the Rinkhals and how he feigns death when faced by danger, you can go to my NATURE JOURNAL.


One of the sketches I did of our blue gum forest in my Moleskine watercolour Sketch-book