The learning curve - Watercolour Workshop 1

Doing work points the way to new and better work to be done.
- Julia Cameron


Original "Field in Oaktree" watercolour 12" x 8"
(Click on images to enlarge)

During my watercolour workshop, my teacher took my above painting to demonstrate to the class how a good painting can become exceptional - she showed me where to add some colour and soften some lines, and to add some softness in the distance to draw the eye to the focal point. Little changes, but with amazing results! We could play, "Spot the difference" here!


"Field in Oaktree" corrected

I know what I think, you be the judge! - this is such a learning curve for me and I'm so excited, and impatient! and ready, to go to the next level of my growth.

5-Minute exercises

“In our lives there is bound to come some pain, surely as there are storms and falling rain; just believe that the one who holds the storms will bring the sun.”

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Storm Brewing" - watercolour on Bockingford 300gsm - Maree© (no sketching)

I decided it was time for some quick 5-minute exercises again with no sketching before-hand and to encourage looseness and I did these two in under 5 minutes each. These quick exercises really irk me - my brush just itches to do more and more!


"The Beach" - watercolour on Bockingford 300gsm - 12" x 8" - Maree© (no sketching)

Scene at Harties

"If you can express your soul, the rest ceases to matter."

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Scene at Hartebeespoort Dam - watercolour in Moleskine watercolour sketchbook - Maree©

You might have noticed that Hartebeespoort Dam (also known as Harties) holds a special fascination for me. The scenery possibilities are endless, ranging from location to the time of day and the change of light.

Most of the time, like this one, I stop for a quick sketch on our way there, other times I will work off one of my photographs. I've been meaning to take a trip up the cable car, but every time I've been there, it has been closed for some reason or another. It's next on my wish-list.

Gum Forest 0n 84

Approaching a tree we approach a sacred being who can teach us about love and about endless giving. She is one of millions of beings who provide our air, our homes, our fuel, our books. Working with the spirit of the tree can bring us renewed energy, powerful inspiration, deep communion.
- Druid Tree Lore

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Gum Forest on 84" - watercolour on Bockingford 300gsm - 9" x 12" - Maree©

A suggestion of a Blue gum forest - colour put directly onto the paper without any prior sketching. (The "84" in the title is the number of the smallholding where I live.)

This sketch is bigger than the rest of the Gum Forest Series, which is 5.5" x 7.5", and here I'm exploring the same method of not sketching and just using colour to suggest the image, just going bigger. It's easy putting colour on a smaller painting - the bigger you go, the more colour you have to mix and the quicker you have to paint - I also invested in two new round Winsor & Newton BIG brushes - no's 24 and 28 - I'm sure one gets bigger, but that was the biggest size Pen & Paper in Clearwater Mall had. Now I need a bigger flat - I've got a Nylon Daler ¾" - I probably need a 1"?

Sunshine Award!

I received the SUNSHINE AWARD for "Creativity and Positivity in Blogging" from Artist Marie Theron, who chronicles the West Coast of South Africa with her beautiful paintings and history of the area. Thank you Marie, it's a great honour coming from you!

If one accepts the reward it must be passed on to 12 others. One must also let them know that they are nominated. Everything must be linked to everything.... whew!

Here is my list of creative and positive bloggers who inspire and give joy to others. Please follow their links so you can meet these outstanding artists!

1. Pam Johnson Brickell
2. Cathy Gatland
3. Cathy Johnson
4. Debbie Schiff
5. Vickie Henderson
6. Melissa Fischer
7. All the correspondents at SKETCHING IN NATURE
8. Ronell van Wyk
9. Teri Casper
10. Toni Kelly
11. The Happy Painter
12. Jean Haines

The rules for accepting this award are simply to:

1. Post the Sunshine Award logo on your blog, on your post or both.
2. Pass this onto 12 bloggers who you admire.
3. Inform them of the award.
4. Link the person who awarded you in the first place.

Spring Farm landscape

“The best thing one can do when it's raining is to let it rain.”
- Henry Wadsworth Longfellow, American Poet in the 19th century, 1807-1882)

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Spring Farm landscape" watercolour on Bockingford 300gsm - Maree©

Passing by Spring Farm on our way to Magaliesburg, I once again took the chance to do a quick sketch of the dam from a different angle, finishing it off once we got home. We've had plenty of rain and the dam has crept over its banks, forming vleis on both sides.

(In geography of South Africa a vlei is a shallow seasonal or intermittent lake. The word is of Dutch/Afrikaans origin meaning 'pond', 'marsh', and is pronounced as "flay". Vleis vary in their extent according to the fall of rain or dryness of the season.)

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Childhood memories - Albasini Dam

"Since it doesn't cost a dime to dream, you'll never short-change yourself when you stretch your imagination."
~ Robert Schuller

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Albasini Dam" watercolour on Bockingford 300gsm - Maree© (no sketching)

This sketch is remembering childhood days in the 1950's, I was about 10 years old, when I lived in the Limpopo Province (then it was known as the Northern Tansvaal) in Pietersburg (Now Polokwane), when I used to go fishing with my dad at the Albasini Dam, surrounded by the Soutpansberg Mountains, at Louis Trichardt. Once we'd arrived and set up the fishing rods, we'd sit for hours waiting for a bite, chatting about everything and nothing in particular, sipping cold coffee from the flask my mother had packed.

A bite, however, would result in scrambling for the fishing rod, excitedly reeling the fish in, me not being able to wait to see what we'd caught. Most of the time it was only a Barbel, a carp-like freshwater catfish that cooked beautifully over our camp fire. My dad would gut and clean it, slicing it into big, round, fat steaks, and then fry it together with slices of cold potatoes, and devour it with fresh home-made bread and thick butter.

My mother always packed far too much food for our trips - the fresh, home-made bread she'd baked the night before, hard-boiled eggs, baked potatoes still in their foil, beef sausages and gherkins and pickles. And, of course, the coffee flask.


Barbel catfish

The Albasini Dam was built in 1952 and is named after Joao Albasini, who was born 1 May 1813, in Lisbon, Portugal. He came to Lourenço Marques in 1831 and became a slave trader and Elephant hunter. The remains of his trading post can be found at the new Phabeni Gate, 10 km from Hazyview.

This dam was built primarily to supply the Levubu Irrigation Scheme. The dam has a capacity of 28,200 cubic meters (1,000,000 cu ft), and a surface area of 3.498 square kilometers (1.351 sq mi) and the wall is 34 meters (110 ft) high.


A small tributary off the Albasini Dam - The upper Luvuvhu, Sterkstroom, Latonyanda, Dzindi, Mukhase, Mbwedi and Mutshindudi are steep, narrow rivers dominated by cobble riffles and occasional pools with a few bedrock rapids. These were our favourite fishing spots.

Gum Forest 8

If you reveal your secrets to the wind you should not blame the wind for revealing them to the trees.
- Khalil Gibran

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Gum Forest 8" watercolour on Bockingford 300gsm - Maree© (no sketching)
Size : 5.5" x 7.5"

(This Series is for sale on my SALES BLOG)

The eighth and last sketch in the Gum Forest series where I've been experimenting with not doing any preliminary sketches before painting, just putting colour directly onto the paper and seeing what develops. This cool palette would also look lovely in a sepia frame and will display well together with No. 1 in the Gum Series.

The other side of Harties

"...try to forget what objects you have before you, a tree, a house, a field or whatever ... merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape..."
- Claude Monet

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"The other side of Harties" - watercolour in Moleskine watercolour sketch-book - Maree©

For me, this is "the other side of Hartebeespoort Dam" - not the usual route we always take over the dam wall, but turning off at Strawberry Farm and going into the Villa D'Afrique housing estate - the estate has got a wildness about it, away from the normal hustle and bustle of the dam, very peaceful and quiet.

I found a comfortable rock, prepared my palette and just put the colour straight on the paper, with no sketching, starting with the water - the reflections were great and high above the the Magaliesberg mountains the vultures were soaring, not in my pic, making use of the warm thermals to gain height. A perfect day for sketching!

South Africa's King

Rinkhals in my garden

In the past couple of weeks I've had to temporarily give up my sojourns into our Blue gum forest at the bottom of our property where I go to sketch and paint, due to all the rain we've had, which has resulted in a larger than normal number of snakes that I encounter while trying to settle in to sketch.

While you're concentrating on a specific tree, it's rather disconcerting hearing the leaves rustle and then seeing a Rinkhals (Spitting Cobra) nonchalantly sailing in your direction. It means either sitting dead still, hoping he's not going to notice you, or it's a mad scramble trying to get out of the way (and then alerting him to your presence), sending easel or sketchbooks and water flying through the air!

In the past 2 weeks I have already rescued and evicted two Rankhalses from my garden (the pleasure of my garden only to be enjoyed by Mollie, my resident Mole Snake or the Brown House Snake - all others like the Rinkhals and the various Adders are summarily evicted!). Chrissie, my gardener, immediately takes a short-cut home when she sees I'm busy catching a snake for safe delivery to a dam nearby us.


Rinkhals - Hemachatus haemachatus

The Rinkhals is a member of the Cobra family and is also a spitting cobra. It is the smallest of the cobras reaching only about 1.2m or about 4 ft in length. It is a venomous elapid species found in parts of southern Africa. It is one of a group of cobras that has developed the ability to spit venom as a defense mechanism. Rinkhals are unique amongst African cobras in being ovoviviparous. They give birth to 20-35 young, but as many as 65 babies have been recorded. The Rinkhals is unique also, compared to cobras, as it has keeled scales.

If you would like to read more about the Rinkhals and how he feigns death when faced by danger, you can go to my NATURE JOURNAL.


One of the sketches I did of our blue gum forest in my Moleskine watercolour Sketch-book

Africa's Wonder

"Let a Person Walk Alone With Few Wishes, Committing No Wrong, Like an Elephant in the Forest."

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Africa's Wonder - Elephant" - watercolour on Bockingford 300gsm - 12" x 9" - Maree©

Africa's wild animals are a constant source of inspiration and for me elephants symbolise
Strength, Solitude, sense of loyalty to the family and Intelligence. Looking into the eye of an elephant, one sees Wisdom beyond our understanding.

I sketched this young elephant on a visit to the Elephant Sanctuary Hartebeespoort Dam where they provide a “halfway house” for young African elephants in need of a temporary home.

African elephants are bigger than Asian Elephants. Males stand 3.6 m (12 ft) tall at the shoulder and weigh 5,400 kg (12,000 lb), while females stand 3 m (9.8 ft) and weigh between 3,600 and 4,600 kg (7,900 and 10,000 lb). However, males can get as big as 6,800 kg (15,000 lb!).

Some interesting info :
Elephants have four molars; each weighs about 5 kg (11 lb) and measures about 30 cm (12 in) long. As the front pair wears down and drops out in pieces, the back pair shifts forward and two new molars emerge in the back of the mouth. Elephants replace their teeth six times. At about 40 to 60 years of age the elephant no longer has teeth and will likely die of starvation, a common cause of death.

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Thinking Big!

“The question isn't who is going to let me; it's who is going to stop me.”
- Ayn Rand


"Rain in the gum forest" - watercolour on Bockingford 300gsm - 20" x 39" - Maree©

This is my first foray into BIG! A familiar subject, trees... There's something so scary and intimidating about a huge, pristine white piece of paper staring at you - putting that first splash of colour feels almost like sacrilege, like I'm defacing something pure and wonderful. But as the colour started to take over, I confidently worked faster, thinking about my own advice on fear - what's the worst that can happen?

Do I fear wasting the paints? What would happen if I did? I’d get more. I’d move on. I’d live.

Do I fear spoiling the paper? What would happen if I did? I’d crumple it up and throw it away. I'd get some more. I’d live.

And so I bravely worked with big, bigger than what I'm used to anyway, brush strokes, finally seeing it all come together. Whew!

I did a practice sketch of these trees on our smallholding, shortly after a downpour, and did the painting from that. I just could not see myself out in the bush with the easel and this big piece of paper!

Fear of the Great White

“The greatest barrier to success is the fear of failure.”
- Sven Goran Eriksson

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Practice 1

I've been doing some quick practice sketches for larger paintings I'm planning. Anything bigger than A4 has been scaring the daylights out of me - I keep taking out the BIG piece of art paper and then quickly putting it away "for another day". I've just got to tackle those large canvasses now, no more procrastinating!

Here are a few sketches I've been doing over the past couple of days. They're all done on Bockingford 300gsm, working quickly to get a feel of the brush as it moves across the paper and they are all 12" x 9". Here I can see what works and what doesn't, where I have to go lighter or darker or where I can improve on my technique. Planning is something totally new to me, but for the large paper looming in front of me, it seems essential this time!


Practice 2


Practice 3


Practice 4


Practice 5


Practice 7

Gum Forest 7

Just think of the trees: they let the birds perch and fly, with no intention to

call them when they come and no longing for their return when they fly away.

If people's hearts can be like the trees, they will not be off the Way.

- Langya

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Gum Forest 7" watercolour on Bockingford 300gsm - Maree© (no sketching)

Size : 7.5" x 5.5"

(This Series is for sale on my SALES BLOG)

The seventh in the Gum Forest series of 8 where I've been experimenting with not doing any sketches before painting, just putting colour directly onto the paper and seeing what develops. As I put in the preliminary washes, I was envisaging the closeness of the trees in our Blue gum forest and left a lot more clear paper before starting on the next colour phase.

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Black Wattles in Tarlton

The creation of a thousand forests is in one acorn.
- Ralph Waldo Emerson

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Tarlton Black Wattles" watercolour on Bockingford 300gsm (no sketching) - Maree©
Size : 12" x 9"

The Black Wattle trees on our smallholding in Tarlton, Gauteng, South Africa, which we are trying our utmost to eradicate, have put up the most spectacular show of browns with their millions of seed-pods in between the greens. How can we even begin to think to destroy such beauty? Yet, for the survival of our own indigenous flora, it is a task we undertake every year in a bid to save some of our own natural growth.

Read more about the Black Wattle struggle HERE.