Country Diary - From the Forest

I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
- James Thomson

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

Ink, wash and collage in my Moleskine 200gsm "Country Diary"

This is the second in the series Country Diary, which consists of paintings, sketches and collages depicting nature, rural and farm life.

A couple of months ago I collected some leaves and acorns from a friend's tree (unfortunately I don't have an Oak any more and I really miss him) and it's amazing how well they dry and stay preserved. I actually have them displayed on a wooden bowl and they absolutely last for ever. A bit difficult to dust! but well worth the effort!

Summer at last!

“See how nature - trees, flowers, grass - grows in silence; see the stars, the moon and the sun, how they move in silence... we need silence to be able to touch souls.”
- Mother Teresa

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

Watercolour on Amedeo 200gsm sketching paper - 12" x 8"

Summer at last on our Smallholding in Tarlton, South Africa! Remnants of Winter are still visible, but we've had our first summer rains and the Blue gums (Eucalyptus) are looking spectacular. They truly did this metamorphosis in complete silence - the one minute they were cold and spares-looking and the next they're dressed in their finest summer finery, offering food and protection for the birds once more.

For the white parts of the trunks, I did a few strokes with a candle. I used the ordinary Price's candles (the cheapies in the blue wrapping), but you can also use white birthday cake candles, which actually work very well seeing as they are smaller.

Country Diary - Buyers' Corner

“Art is not a thing; it is a way.”
- Elbert Hubbard

Ink and wash and collage in my Moleskine 200gsm "Country Diary"

I started a Country Diary a while ago, which consists of paintings, sketches and collages depicting nature, rural and farm life. This is my first entry and I'll be posting a couple of them here, and it was a nice break from my regular landscapes and sketching. I'd forgotten how wonderful it feels to play again! This is one of my roosters, Artemis, and he actually makes quite a willing sketch subject, not minding standing quietly close-by as I sit and sketch in the garden.

I sometimes think I'd rather crow

And be a rooster than to roost

And be a crow. But I don't know.

A rooster he can roost also,

Which doesn't seem fair when crows can't crow.

Which may help some. But I don't know.

Crows should be glad of one thing, though;

Nobody thinks of eating crow,

While roosters they are good enough

For anyone unless they're tough.

There are lots of tough old roosters, though.

And anyway a crow can't crow,

So maybe roosters stand more show.

It looks that way. But I don't know.

~Unknown

Someone's life somewhere...

"Use your Imagination, not to scare yourself to death,
but to Inspire yourself to Live."
- Adele Brockman

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

A bit more on the sketching side - a farm road leading into someone's life on a smallholding. Here I used my Parker Fountain pen with black Quink ink and a colour wash.

An artist's biggest problem is how to find inspiration. Once you have a subject, a character, or a circumstance that fascinates you, it’s all anyone can do to keep you from rushing to the blank page and sketching away like mad.

One of the reasons for the elusive nature of inspiration is that we expect finding inspiration to be effortless. More than effortless – we expect it to be nearly magical. One day we’ll open the drapes and look out on the street and there, walking in front of us, will be the character around which our next great sketch will revolve.

Sure, sometimes inspiration happens unexpectedly, at just the right time and in just the right place. However, most of the time, artists have to go looking for it. And we have to have the skills to recognize where to find it.

Sketching more

MOST of the earth is beyond the walls of buildings, and is untouched in appearance by the art of the sculptor or the painter.

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Quick landscape sketch with my Parker Fountain Pen, black Quink ink and some colour added - done in my Moleskine Folio (A4) 200gsm Watercolour sketchbook

Sketching has always been one of my great passions, but of late I've been neglecting it in favour of doing mostly watercolours. I've decided to go back to basics and sketch a lot more. Sketching forces you to look in more detail, and ask yourself what you actually see. You’ll end up seeing a lot more than you would otherwise. There’s something about holding a pen or pencil in your hand that gets your creative juices flowing in a much different way than holding a brush. When you get used to sketching, the movements of your hand become much more fluid and it becomes really easy and natural. The more you practice, the better you will become at sketching.