"Good Art comes from good Inspiration!"
- Maree
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Coffee Daisies" - Coffee and watercolour on Bockingford 300gsm - 12" x 8"
I have discovered painting with coffee! I have used both coffee and tea in staining certain materials before, especially cotton, but never thought of using it in art until I saw some of Barbara Glatzeder's art on RedBubble.
I've painted these daisies almost totally with coffee, adding a bit of Cadmium Red to the background, leaving it to dry over-night. Then I did the flowers straight on the page with coffee the next morning (Nescafé instant, made VERY strong!), no sketching. A bit of grey/green was used for the flower stalks.
When looking at the original, the coffee, when it dries, leaves the richest, shiniest, wet-looking patina, better than any permanent staining watercolour, absolutely great! Wish they made coffee in other colours!! And as Barbara says, the artwork smells great!
I'm disappointed in the scanning of this image, as the rich patina of the coffee doesn't show at all.
You can view more Coffee Art HERE.
I am a watercolorist living on my little piece of African soil in Ballito, KwaZulu Natal, South Africa. The inspiration for my art is the wonderfully rich variety of Fauna and Flora to be found throughout this beautiful country.
Art & Creativity - Maree Clarkson
JUST ME :: and a stack of blank pages
:: Living creatively ::
Pages
About me
This is the real secret of life — to be completely engaged with what you are doing in the here and now. And instead of calling it work, realise it is play. The only thing that is ultimately real about your journey is the step that you are taking at this moment. That’s all there ever is. I’m here to tell you that the path to peace is right there, when you want to get away. When you are present, you can allow the mind to be as it is without getting entangled in it. If you miss the present moment, you miss your appointment with life. That is very serious!
Wednesday, October 27, 2010
Sunday, October 10, 2010
Gemsbuck in the Kalahari
I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
- James Thomson
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Watercolour on Bockingford 300gsm - 12" x 8"
The gemsbok or gemsbuck (Oryx gazella) is a large African antelope, of the Oryx genus. The name is derived from the Dutch name of the male chamois, gemsbok. Although there are some superficial similarities in appearance (especially in the colour of the face area), the chamois and the oryx are not closely related.
In the *Kalahari Desert in South Africa*, they have to trek vast distances to find water. The park covers an area of a little less than 10,000 square kilometers and consists of mile upon mile of rolling rust-red sand dunes, solitary trees and scattered grasses. For lovers of the ambience of untamed Africa, this hauntingly beautiful region has a special appeal all of its own. The Kalahari Desert is a part of the largest continuous area of sand in the world.
- James Thomson
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Watercolour on Bockingford 300gsm - 12" x 8"
The gemsbok or gemsbuck (Oryx gazella) is a large African antelope, of the Oryx genus. The name is derived from the Dutch name of the male chamois, gemsbok. Although there are some superficial similarities in appearance (especially in the colour of the face area), the chamois and the oryx are not closely related.
In the *Kalahari Desert in South Africa*, they have to trek vast distances to find water. The park covers an area of a little less than 10,000 square kilometers and consists of mile upon mile of rolling rust-red sand dunes, solitary trees and scattered grasses. For lovers of the ambience of untamed Africa, this hauntingly beautiful region has a special appeal all of its own. The Kalahari Desert is a part of the largest continuous area of sand in the world.
Tuesday, October 5, 2010
Consumed by desert sands
Am I willing to give up what I have in order to be what I am not yet? Am I able to follow the spirit of love into the desert? It is a frightening and sacred moment. There is no return. One's life is charged forever. It is the fire that gives us our shape.
- Mary Richards
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Consumed by desert sands" - watercolour on Bockingford 300gsm 12" x 8"
A short fiction ...
Trudging gingerly across the arid sands of the desert, the explorer is careful not to put a foot wrong, for he knows it may be his last. He scours the land and shifting valleys for tell-tale signs of disturbance in the sands below, always ready for the unexpected lurch of an alien being said to kill in one strike with a sharp spout of acidic venom to the face. A creature so secretive that no photographic evidence yet exists, but the locals know it’s there, always waiting in silence for its prey, waiting to strike ...
Just playing with watercolours on a clean sheet of paper gives me great pleasure, not knowing how it's going to turn out or what's going to show up. Here I used Burnt Sienna with a bit of Sepia, watching the interaction and flow of the colours. I can spend hours filling sheet after sheet with colour, watching how the colours react and fascinated by the contours formed in the process.
- Mary Richards
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Consumed by desert sands" - watercolour on Bockingford 300gsm 12" x 8"
A short fiction ...
Trudging gingerly across the arid sands of the desert, the explorer is careful not to put a foot wrong, for he knows it may be his last. He scours the land and shifting valleys for tell-tale signs of disturbance in the sands below, always ready for the unexpected lurch of an alien being said to kill in one strike with a sharp spout of acidic venom to the face. A creature so secretive that no photographic evidence yet exists, but the locals know it’s there, always waiting in silence for its prey, waiting to strike ...
Just playing with watercolours on a clean sheet of paper gives me great pleasure, not knowing how it's going to turn out or what's going to show up. Here I used Burnt Sienna with a bit of Sepia, watching the interaction and flow of the colours. I can spend hours filling sheet after sheet with colour, watching how the colours react and fascinated by the contours formed in the process.
Wednesday, September 29, 2010
Silhouettes of Africa
The shadows now so long do grow,
That brambles like tall cedars show,
Molehills seem mountains, and the ant Appears a monstrous elephant.
(Evening Quatrains) - Charles Cotton
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Elephants in the shadow of a mountain on their way to water in the northern parts of the Kalahari desert (South Africa). This started off as a landscape, but I suddenly envisaged desert dunes and added the elephants.
.
That brambles like tall cedars show,
Molehills seem mountains, and the ant Appears a monstrous elephant.
(Evening Quatrains) - Charles Cotton
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Watercolour on Amedeo 200gsm - 12" x 8"
Elephants in the shadow of a mountain on their way to water in the northern parts of the Kalahari desert (South Africa). This started off as a landscape, but I suddenly envisaged desert dunes and added the elephants.
.
Sunday, September 26, 2010
Left-handed landscape
“The person who risks nothing, does nothing, has nothing, is nothing, and becomes nothing. He may avoid suffering and sorrow, but he simply cannot learn and feel and change and grow and love and live.”
- Leo F. Buscaglia
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Landscape done with my left hand - watercolour, no sketching, on a scrap piece of photo printing paper - 12" x 8"
Talking about taking risks and doing things you've never done before, how about, if you're right-handed like me (and I'm NOT AL ALL ambidextrous!), painting something with your left hand...? I did this scene from my imagination with no sketching before-hand, and even managed to sign my name! This from a person who plays the keyboard ONLY with the right hand, and can't even get her foot to tap in tune with the music at the same time!
- Leo F. Buscaglia
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
Landscape done with my left hand - watercolour, no sketching, on a scrap piece of photo printing paper - 12" x 8"
Talking about taking risks and doing things you've never done before, how about, if you're right-handed like me (and I'm NOT AL ALL ambidextrous!), painting something with your left hand...? I did this scene from my imagination with no sketching before-hand, and even managed to sign my name! This from a person who plays the keyboard ONLY with the right hand, and can't even get her foot to tap in tune with the music at the same time!
Subscribe to:
Posts (Atom)