Arums at night

"What a desolate place would be a world without a flower! It would be a face without a smile, a feast without a welcome. Are not flowers the stars of the earth, and are not our stars the flowers of heaven?"
- Mrs. Clara Lucas Balfour

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

Arum Lilies at night - watercolour on Ashrad Not - 6" x 8.5" - Maree©

In a mostly green, shady and indigenous garden like I have, these Arum Lilies of mine seem to fairly glow against the dark green foliage at night, fireflies sometimes flitting in between, making me feel like I'm in a fairy landscape!

Flowers so fine

"He must have an artist's eye for color and form, who can arrange a hundred flowers as tastefully, in any other way, as by strolling through a garden, and picking here one and there one, and adding them to the bouquet in the accidental order in which they chance to come. Thus we see every summer day the fair lady coming in from the breezy side hill with gorgeous colors and most witching effects. If only she could be changed to alabaster, was ever a finer show of flowers in so fine a vase? But instead of allowing the flowers to remain as they were gathered, they are laid upon the table, divided, rearranged on some principle of taste, I know not what, but never again have that charming naturalness and grace which they first had."
- Henry Ward Beecher

Watercolour on Bockingford 300gsm - Maree©

A wet-on-wet exploration during one of my watercolour classes in April this year.

Magaliesberg Mountains 4

"Magaliesburg Mountains 4" - Watercolour on X-pressit Aqua 300gsm

- 12" x 8" - Maree©

“The experienced mountain climber is not intimidated by a mountain -- he is inspired by it. The persistent winner is not discouraged by a problem -- he is challenged by it. Mountains are created to be conquered; adversities are designed to be defeated; problems are sent to be solved. It is better to master one mountain than a thousand foothills.”
- William Arthur Ward

This 30 000-hectare mountain preserve in the North-West Province of South Africa is almost entirely the property of agricultural, mining or industrial landowners. But legislation ensures that no more quarries, factories or unacceptable developments can take place that would threaten the integrity of the natural area. There is a fragile and secret world in the kloofs of the Magaliesberg, with places where you can see vultures soaring on updrafts, swim in clear mountain pools - and perhaps even catch sight of a pangolin, a brown hyena or a leopard.

For this wet-on-wet scene of the mountain, after wetting the paper, I sketched the main outlines of my scene using my Rigger and Cerulean Blue, a "trick" I picked up at my watercolour workshop in April this year. I'm sure many of you use this technique, but I've always been somewhat of a sketchy person, using my pencil, going into great detail with a lot of erasing happening. It's only been the past couple of months since I started practicing painting with no sketching beforehand that I feel confident enough to consider doing this.

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Awe-inspiring Mountain

“A friend who is far away is sometimes much nearer than one who is at hand. Is not the mountain far more awe-inspiring and more clearly visible to one passing through the valley than to those who inhabit the mountain?”
- Kahlil Gibran

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Magaliesberg Mountains 3" - watercolour on Ashrad 300gsm w/colour paper - 8" x 6" - Maree©

The Magaliesberg is the closest thing to a wilderness in Gauteng (South Africa) ... to watch the sheer south-facing slopes from eagle height and to see trees, cows and cars like toys in the patchwork playground of green-brown fields below, is a sheer joy.

I sketched this scene just a few kilometers outside Magaliesburg, as these majestic mountains start rising, eventually reaching their full height of 1741m above sea level.

"The village of Magaliesburg lies just below the southern range of the Magaliesberg Mountains. The roads and rivers take similar paths, breaking though the steep ridges of the mountains in a few places, only to traverse much of the land along the valleys on either side of the two mountain ridges. This small village lies at the heart of a beautiful region of mountains, valleys, rivers and indigenous woodland - home to a variety of birds.

The Magaliesberg mountain range lies in between the highveld savannah of the Witwatersrand and the African bushveld, stretching roughly from past Rustenburg in the west, past Pretoria to Bronkhorstspruit in the east. This mountain range is almost 100 times older than Everest with interesting geology, archaeology, fauna and flora.

The area was also the site of battles during the Boer War, such as:

• Battle of Nooitgedacht: Monument to one of the historic battles between the Boer and English, at the height of the Boer War.
• Old English Block House: Loosely packed stone wall construction built by the English in 1902 towards the end of the Boer War. To view by appointment only.

The Magaliesberg has the most intriguing and longest session of history, as man would have experienced, than anywhere else on earth. The reason for this is the discovery of the remains of the earliest species of primitive man know today, in and around the Sterkfontein Caves, about 20 minutes drive from Magaliesburg."

Read more at http://www.mogalecity.gov.za/municipality/magaliesburg.stm

Magaliesberg Mountains 2

The true artist paints for himself.
- A. C. Leighton

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Magaliesberg Mountains 2" - watercolour on Bockingford 300gsm - 12" x 8" - Maree©

This 30 000-hectare mountain preserve is almost entirely the property of agricultural, mining or industrial landowners. But legislation ensures that no more quarries, factories or unacceptable developments can take place that would threaten the integrity of the natural area. There is a fragile and secret world in the kloofs of the Magaliesberg, with places where you can see vultures soaring on updrafts, swim in clear mountain pools - and perhaps even catch sight of a pangolin, a brown hyena or a leopard.

For this wet-on-wet scene of the mountain, after wetting the paper, I sketched the main outlines of my scene using my Rigger and Cerulean Blue, a "trick" I picked up at my watercolour workshop in April this year. I'm sure many of you use this technique, but I've always been somewhat of a sketchy person, using my pencil, going into great detail with a lot of erasing happening. It's only been the past couple of months since I started practicing painting with no sketching beforehand that I feel confident enough to consider doing this.

The other day I was reading the article "When can you call yourself an Artist?" - and that morning, painting this scene, I felt like an artist! Standing in front of the easel, arm outstretched with the Rigger, creating a beautiful masterpiece!

I didn't use any reference material either, just my imagination.

By the way, to answer the question above, I think the best reply was as follows :

“You are an artist when you make art. Many artists spend their lives not selling their work … One of the first requirements for an artist is to ignore those who would define whether they are artists. The only real measure is the person making the art or, if need be, posterity.”
-- Jon