- A. C. Leighton
A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!
"Magaliesberg Mountains 2" - watercolour on Bockingford 300gsm - 12" x 8" - Maree©
This 30 000-hectare mountain preserve is almost entirely the property of agricultural, mining or industrial landowners. But legislation ensures that no more quarries, factories or unacceptable developments can take place that would threaten the integrity of the natural area. There is a fragile and secret world in the kloofs of the Magaliesberg, with places where you can see vultures soaring on updrafts, swim in clear mountain pools - and perhaps even catch sight of a pangolin, a brown hyena or a leopard.
For this wet-on-wet scene of the mountain, after wetting the paper, I sketched the main outlines of my scene using my Rigger and Cerulean Blue, a "trick" I picked up at my watercolour workshop in April this year. I'm sure many of you use this technique, but I've always been somewhat of a sketchy person, using my pencil, going into great detail with a lot of erasing happening. It's only been the past couple of months since I started practicing painting with no sketching beforehand that I feel confident enough to consider doing this.
The other day I was reading the article "When can you call yourself an Artist?" - and that morning, painting this scene, I felt like an artist! Standing in front of the easel, arm outstretched with the Rigger, creating a beautiful masterpiece!
I didn't use any reference material either, just my imagination.
By the way, to answer the question above, I think the best reply was as follows :
“You are an artist when you make art. Many artists spend their lives not selling their work … One of the first requirements for an artist is to ignore those who would define whether they are artists. The only real measure is the person making the art or, if need be, posterity.”
-- Jon