Gum Forest 8

If you reveal your secrets to the wind you should not blame the wind for revealing them to the trees.
- Khalil Gibran

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Gum Forest 8" watercolour on Bockingford 300gsm - Maree© (no sketching)
Size : 5.5" x 7.5"

(This Series is for sale on my SALES BLOG)

The eighth and last sketch in the Gum Forest series where I've been experimenting with not doing any preliminary sketches before painting, just putting colour directly onto the paper and seeing what develops. This cool palette would also look lovely in a sepia frame and will display well together with No. 1 in the Gum Series.

The other side of Harties

"...try to forget what objects you have before you, a tree, a house, a field or whatever ... merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape..."
- Claude Monet

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"The other side of Harties" - watercolour in Moleskine watercolour sketch-book - Maree©

For me, this is "the other side of Hartebeespoort Dam" - not the usual route we always take over the dam wall, but turning off at Strawberry Farm and going into the Villa D'Afrique housing estate - the estate has got a wildness about it, away from the normal hustle and bustle of the dam, very peaceful and quiet.

I found a comfortable rock, prepared my palette and just put the colour straight on the paper, with no sketching, starting with the water - the reflections were great and high above the the Magaliesberg mountains the vultures were soaring, not in my pic, making use of the warm thermals to gain height. A perfect day for sketching!

South Africa's King

Rinkhals in my garden

In the past couple of weeks I've had to temporarily give up my sojourns into our Blue gum forest at the bottom of our property where I go to sketch and paint, due to all the rain we've had, which has resulted in a larger than normal number of snakes that I encounter while trying to settle in to sketch.

While you're concentrating on a specific tree, it's rather disconcerting hearing the leaves rustle and then seeing a Rinkhals (Spitting Cobra) nonchalantly sailing in your direction. It means either sitting dead still, hoping he's not going to notice you, or it's a mad scramble trying to get out of the way (and then alerting him to your presence), sending easel or sketchbooks and water flying through the air!

In the past 2 weeks I have already rescued and evicted two Rankhalses from my garden (the pleasure of my garden only to be enjoyed by Mollie, my resident Mole Snake or the Brown House Snake - all others like the Rinkhals and the various Adders are summarily evicted!). Chrissie, my gardener, immediately takes a short-cut home when she sees I'm busy catching a snake for safe delivery to a dam nearby us.


Rinkhals - Hemachatus haemachatus

The Rinkhals is a member of the Cobra family and is also a spitting cobra. It is the smallest of the cobras reaching only about 1.2m or about 4 ft in length. It is a venomous elapid species found in parts of southern Africa. It is one of a group of cobras that has developed the ability to spit venom as a defense mechanism. Rinkhals are unique amongst African cobras in being ovoviviparous. They give birth to 20-35 young, but as many as 65 babies have been recorded. The Rinkhals is unique also, compared to cobras, as it has keeled scales.

If you would like to read more about the Rinkhals and how he feigns death when faced by danger, you can go to my NATURE JOURNAL.


One of the sketches I did of our blue gum forest in my Moleskine watercolour Sketch-book

Africa's Wonder

"Let a Person Walk Alone With Few Wishes, Committing No Wrong, Like an Elephant in the Forest."

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Africa's Wonder - Elephant" - watercolour on Bockingford 300gsm - 12" x 9" - Maree©

Africa's wild animals are a constant source of inspiration and for me elephants symbolise
Strength, Solitude, sense of loyalty to the family and Intelligence. Looking into the eye of an elephant, one sees Wisdom beyond our understanding.

I sketched this young elephant on a visit to the Elephant Sanctuary Hartebeespoort Dam where they provide a “halfway house” for young African elephants in need of a temporary home.

African elephants are bigger than Asian Elephants. Males stand 3.6 m (12 ft) tall at the shoulder and weigh 5,400 kg (12,000 lb), while females stand 3 m (9.8 ft) and weigh between 3,600 and 4,600 kg (7,900 and 10,000 lb). However, males can get as big as 6,800 kg (15,000 lb!).

Some interesting info :
Elephants have four molars; each weighs about 5 kg (11 lb) and measures about 30 cm (12 in) long. As the front pair wears down and drops out in pieces, the back pair shifts forward and two new molars emerge in the back of the mouth. Elephants replace their teeth six times. At about 40 to 60 years of age the elephant no longer has teeth and will likely die of starvation, a common cause of death.

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Thinking Big!

“The question isn't who is going to let me; it's who is going to stop me.”
- Ayn Rand


"Rain in the gum forest" - watercolour on Bockingford 300gsm - 20" x 39" - Maree©

This is my first foray into BIG! A familiar subject, trees... There's something so scary and intimidating about a huge, pristine white piece of paper staring at you - putting that first splash of colour feels almost like sacrilege, like I'm defacing something pure and wonderful. But as the colour started to take over, I confidently worked faster, thinking about my own advice on fear - what's the worst that can happen?

Do I fear wasting the paints? What would happen if I did? I’d get more. I’d move on. I’d live.

Do I fear spoiling the paper? What would happen if I did? I’d crumple it up and throw it away. I'd get some more. I’d live.

And so I bravely worked with big, bigger than what I'm used to anyway, brush strokes, finally seeing it all come together. Whew!

I did a practice sketch of these trees on our smallholding, shortly after a downpour, and did the painting from that. I just could not see myself out in the bush with the easel and this big piece of paper!