Lighthouse Santa Cruz

Without planning, your painting will probably be indecisive and fragmented, and you'll try to say too much in one picture.
- Ron Ranson

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Lighthouse - Santa Cruz, California" watercolour on Bockingford 300gsm - Maree©

Lighthouse Sunset

“Wheresoever you go, go with all your heart”
- Confucius

My daily sketch for today...


"Lighthouse - Stormy Sunset" watercolour on Visual 140gsm - Maree©

Misty Beach

"The range of what we think and do is limited by what we fail to notice. And because we fail to notice that we fail to notice, there is little we can do to change -- until we notice how failing to notice shapes our thoughts and deeds."
- Unknown

My daily sketch...


"Misty Beach" watercolour on Bockingford 300gsm - Maree©

Done from a photograph by Cameron Nelson. Cameron and his wife Deelia, live in Kihei, Maui, Hawaii. Cameron is a photographic artist and you can go to Cameron Nelson Photography to see some of his stunning works, or go to his BLOG for more of his works, especially weddings on the island.

Botanical - Bee in Nature

To 'bee' in nature is to experience one of our planet's most awesome gifts. Spring makes its own statement, so loud and clear that the gardener seems to be only one of the instruments, not the composer.


My sketch for today...


"Bee In Daisy" a (not so quick) quick pencil sketch and watercolour done from a photograph by Crista from 'Nature As Is' on Daler-Rowney 190gsm - Maree©

This lovely photograph by Christa inspired me to sketch this and at first I thought the bee was going to be the difficult part, but the daisy just would not conform to the way I wanted it to go! Just goes to show...

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Spring Reflections

"It's spring fever. That is what the name of it is. And when you've got it, you want - oh, you don't quite know what it is you do want, but it just fairly makes your heart ache, you want it so!"
~Mark Twain

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Spring Reflections" watercolour on Bockingford 300gsm - Maree©

This sketch was inspired by Pam Johnson Brickell's 'Sunrise Surprise' - her management of watercolours is astonishing and always an inspiration.

In Memoriam - R.I.P.

I look at life as a gift of God. Now that he wants it back I have no right to complain.
---Joyce Cary

My sketch for today - in memoriam of Pappa Goose - 1991 - 2009.


"Pappa Goose" watercolour on Visual 140gsm - 05/09/09 Maree©

Pappa Goose, an Egyptian Goose, was brought to me to take care of him in 1991 - don't know how old he was - he had one gammy foot as a result of fishing gut being entangled around his leg and severing the tendons and nerves, causing his foot to pull backwards. I was lucky to have the pleasure of his presence in my life for 18 years when, finally yesterday, I had to have him euthanized because his legs were riddled with arthritis and he could hardly stand up anymore. If there is a Goose Heaven, I'm sure that's where he is now.

Onion Shell

An artist never really finishes his work, he merely abandons it.
Paul Valery

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Onion Shell" (family Melapiidae) - pencil sketch and watercolour in 'Journal' sketchbook - Maree©

I sketched this shell in 2002, but decided to put some colour to it yesterday.

These shells are smooth on the outside, without ridging, and have a quite flattened spire. In South Africa we have Melapium lineatum and Melapium elatum - 2 really beautiful shells. The lineatum's common name is 'Onion shell' - the shape and patterns resemble an onion.

Namaqualand Daisies

Spring is nature's way of saying, "Let's party!"
~Robin Williams

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Namaqualand Daisies" watercolour on Bockingford 300gsm - Maree©

Namaqualand! 100% Big sky country. Extending from the Atlantic Ocean in the west of South Africa to the small town of Pofadder in the east, north from the great Orange River and south beyond Garies, Namaqualand is indeed a vast and varied region.

During the arid summer months it is difficult for the tourist to imagine the phenomenon of the yearly wild flower appearance.

After the winter rainfall, Namaqualand dons her coat of many colours and for a brief moment, the wildflowers invade the countryside. Countless poems, novels, paintings and prose have been dedicated to this annual shower of God's colour.




Before the flowers appear


At the end of winter

Cottage Rose

Being in nature and allowing ourselves to absorb both its gentle beauty and fierce power is a healing act. We do not have to travel far to open ourselves to this gift.
- Unknown

My sketch for today...


"Cottage Rose" watercolour on Visual 140gsm - Maree©

I did this sketch on a piece of Visual 140gsm watercolour paper - it's so thin, it just sucks up the paint and won't flow at all and once you've made a mistake, that's it, can't be fixed. Like the muddy leaf top right-hand corner - I promised myself I won't be using it again, but there you go...

And it reminds me of Ronell van Wyk's post on using greens - I've decided they are very tricky after all!

Blue Gums & Black Wattles

"I am good enough, perfect in my own special way."
A daily Affirmation

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Blue Gums and Black Wattle Trees" Acrylic on Bockingford 300gsm watercolour paper - Maree©

In this painting I experimented with acrylics on a good, thick Bockingford watercolour paper and decided I just LOVE how the acrylics feel on the paper. It's amazing! I think I'm falling more and more in love with this versatile medium.

These trees are on our smallholding and although we are trying to get rid of all the Black Wattles, they spring up faster than you try to eradicate them. The problem is that they produce a huge amount of seeds, which can grow in the most arid and infertile of soils. Even worse, these seeds can live up to a 90 years. And after a first clean-up, even though we have removed hundreds of trees, millions of young seedlings appear. It's basically fighting a losing battle. These evergreen trees were originally imported from Australia for our tanning industry.

Now the touchy subject: chemicals. One simply cannot get rid of Black Wattles unless you use a good herbicide. Cutting a black wattle and hoping it will die, is wishful thinking. We do not use any chemicals at all, with the result that we have an on-going battle, but which provides employment opportunities as we hire several casual workers every year to do another clean-up.


The seed pods on one branch of a Black Wattle tree


Growing habit of the Black Wattle


The flowers of the Black Wattle also causes great outbreaks of hay fever among hay fever sufferers during spring.

Unexplored

"I'm not as good as some, but better than most."
- Maree

My daily sketch for today...


"Unexplored Landscape" watercolour on Bockingford - Maree©

Life can sometimes be like a landscape. There are vast, unexplored vistas within us that will remain unseen unless we make the effort to explore our inner self and find something that we've never noticed before. Sometimes we might not like what we see, but there could also be something great and exciting, something to be cherished and, like a great landscape, inspire us.

Aloe

"Aloe" pencil sketch and watercolour - a page from my Journal - Maree©

I did this sketch of an Aloe in my garden last Friday after I had noticed that the Blackbirds were all visiting this one, and the reason was soon apparent - it was fairly dripping with nectar! The flowers always seem to produce the most nectar just as they're getting to the end of their life-span. It's their special gift to nature.


Detail of Aloe

Cone Shell

"Art is a step from what is obvious and well-known toward what is arcane and concealed."
- Kahlil Gibran

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Cone Shell" (Conus lividus) - pencil sketch and watercolour in 'Journal' sketchbook - Maree©

Botanical - Primula

Botanical - Primula 'Gold Lace' watercolour on Bockingford watercolour paper - Maree©

This polyanthus primula has unusual golden-eyed flowers with black petals with gold margins. Plants enjoy a position in moist, slightly acid soil in partial shade. However they can tolerate full sun if the soil remains moist at all times, but prefer slightly acidic soil in partial shade.

This plant is attractive to bees, butterflies and/or birds. Requires consistently moist soil; do not allow to dry out between waterings.

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Leawood Pumphouse

An artist is always alone - if he is an artist. No, what the artist needs is loneliness.
Henry Miller

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Leawood Pump house" watercolour on Visual 140gsm watercolour paper - Maree©

I did this painting from a photograph, but had no idea what the Leawood pump house was, so I Googled it and found this :

The Cromford Canal Company was formed by an act of Parliament on 24th of August 1789, it had from monies raised (£46,000) to cut the Canal and fill it with water.

The Canal operated successfully for a further fifty one years, 1844 was a dry year, the Canal suffered a severe lack of water, the normal supply from the Cromford and Bonsall soughs had been supplying less water due to the Merebrook sough removing water from the lead mines at a level below the Canal. By the autumn of that year the situation was so serious that a pump was hired and installed by the end of November to take water from the river Derwent.

In late 1849 the Leawood Pump house became operational and pumped water from the River Derwent to the Cromford Canal for the first time since its conception in 1844.

The objective of the pumping engine was to maintain a level of water suitable to keep Canal traffic flowing, the Cromford Canal has a flight of fourteen locks connecting it to the Erewash Canal at Langley Mill Basin, each time a boat enters or leaves the Cromford Canal it takes a lock full of water into the Erewash Canal which needs to be replaced. Also all Canals leak, but even this does not explain the sheer scale of the engine, if water could be taken out of the River Derwent regularly then why was such a large engine needed and why was it built 13 miles away from the nearest lock ? The answer to these questions lies with the significance of the industry on the River Derwent, water which powered the cotton mills was protected by an act of Parliament, so anyone wishing to extract upstream of the mills had to comply to strict conditions with a heavy financial penalty if they failed to do so.

The conditions were that water could only be removed from the Derwent between the hours of 8 p.m. on Saturdays to 8 p.m. on Sundays and no more than one twentieth of the flow of the river in any period of that time, and none at all if the flow was less than 570 tons per minute. The flow was measured at the weir behind Masson Mill, Matlock Bath.

With such restrictions it can be seen that if you wish to maintain a level of water in the Canal but can only voluntarily fill for one 24 hour period in a week then a substantial amount of water will need to be pumped, this explains the size of the engine as it is capable of pumping almost four tons of water per stroke and seven strokes a minute, a total of over 39,000 tons of water per 24 hours.