JUST ME :: and a stack of blank pages

:: Living creatively ::

About me

This is the real secret of life — to be completely engaged with what you are doing in the here and now. And instead of calling it work, realise it is play. The only thing that is ultimately real about your journey is the step that you are taking at this moment. That’s all there ever is. I’m here to tell you that the path to peace is right there, when you want to get away. When you are present, you can allow the mind to be as it is without getting entangled in it. If you miss the present moment, you miss your appointment with life. That is very serious!

Thursday, July 9, 2009

The legend of Shaka's Rock

"The essence of drawing is the line exploring space."
~ Andy Goldsworthy

"Shaka's Rock" - watercolour on Visual 110gsm watercolour paper - Maree©

Jeanette of Illustrated Life has a rock challenge starting up running until the 4th August 2009. This is one of my entries.

Ballito, which is on the North Coast of KwaZulu Natal, South Africa, has stunning white beaches, but also something I like - lots of rocks! This painting depicts Thompsons's Bay Beach, where there is a huge cluster of rocks called Shaka's Rock.

The legend goes that King Shaka, leader of the Zulu nation in South Africa in the 1800's, would punish criminal offenders in his clan by throwing them from the highest rocks into the sea to their death.

Ridiculed as a bastard child, few believed that the young Shaka Zulu would have much of a future. But despite his difficult childhood, Shaka not only became a legendary leader of the Zulu people, but his ingenious military tactics and inventions in weaponry are credited in some ways with preserving Zulu heritage.

Shaka’s childhood can only be described as miserable. He was born to a high-ranking chieftain named Senzangakona, but his mother Nandi was an orphan from a nearby ethnic clan known as the Langeni. Unfortunately, Nandi gave birth to Shaka out of wedlock. The stigmatism of a bastard child might not have persisted if the relationship between Shaka’s parents had not dissolved. Scorned by Senzangakona’s clan, Nandi returned to her family home with young Shaka. The Langeni did not receive their wayward member warmly, and Nandi and Shaka were forced into exile.

While growing up, Shaka was continually the butt of cruel jokes and pranks due to his familial circumstances. This constant badgering over the course of several years had embittered Shaka. So, when Chief Dingiswayo of the Mthelthwa summoned him for military duty, Shaka soon found an outlet for his anger.

Shaka quickly proved himself to be a capable soldier. He excelled in all his military manoeuvres and showed a talent for leading the troops. Shaka’s talent was so distinguished that upon the death of Shaka’s father, Chief Dingiswayo named Shaka to replace his father as chief of the Zulu. Shaka immediately tasked himself with reorganizing the Zulu fighting forces. Shaka instituted new tactical manoeuvres that outsmarted an enemy accustomed to traditional tribal warfare. He also introduced a new short dagger called the assegai. Traditional warfare dictated that opposing clans would throw long spears at each other before running in the opposite direction. The clan with the most men still living declared victory. Shaka found such tactics to be acts of cowardice. His new assegai forced his men to approach the enemy face to face before stabbing him to his death.

To keep his military ranks at optimum levels, Shaka began to absorb and assimilate the enemy after victory. After conquering a village, all living adult males in good health were forced into military service. Shaka demanded absolute obedience of his men and would not tolerate any weakness or cowardice. Any disobedience was immediately punishable by death.

And Shaka never hesitated to kill. The first villages he attacked with his Zulu forces were those of the Langeni. In retaliation for the cruel treatment of him and his mother, Shaka killed every woman and child before burning the villages to the ground. For ten years, Shaka’s Zulu fighters conquered village after village with the same intensity. Shaka’s Zulu tribe became the most powerful kingdom in all of 19th century southern Africa.

The only known drawing of Shaka—standing with the long throwing assegai and the heavy shield in 1824, four years before his death

But the more victories Shaka earned, the more deranged he became. Afraid any offspring would threaten his power, Shaka never took any wives. Given his obsession with his mother, Nandi, scholars believe he never had sexual relations with any woman. When Shaka’s mother was dying, he was in such grief that he ordered several men to be executed. Such chaos ensued that several thousand men eventually died. Upon his mother’s death, Shaka then ordered his Zulu clan into mourning. During this period, Shaka prohibited anyone from working in the fields, resulting in mass starvation among the Zulu.

Shaka’s policies as leader of the Zulu have simultaneously caused both destruction and preservation. His thirst for blood and endless battles resulted in massive migrations of tribes as far north as modern-day Tanzania who sought to avoid confrontation with his Zulu. His post-victory assimilation techniques led to the destruction of the identity of many unique southern African ethnic groups. Consumed with a desire to conquer, Shaka never fostered stability. Upon his death, ethnic warfare ensued as his assimilated Zulus began to splinter.


But Shaka is also credited with protecting southern African heritage from the Europeans. In 1824 the first Europeans visited Shaka. During this meeting, Shaka was maliciously stabbed by one of his own Zulu. The Europeans treated Shaka and instantly earned his devoted respect. Although Shaka did sign over land to the Europeans, he reportedly was unaware that he had agreed to any permanent deal. Ironically, the Europeans agreed to help Shaka continue his wars of dominance, but Shaka’s success only fuelled the European’s fear of him as a brutal warrior.

Today Shaka is revered as the leader who gave birth to the fighting spirit of the Zulu, allowing them to persevere amid European domination of their homeland. The memory of Shaka even lives on in countryside where he waged his battles. Jeff Guy, Head of the Department of History at the University of Natal in Durban, South Africa, notes that many prominent rock outcroppings are associated with Shaka Zulu. The Great Cave Rock on the south side of Durban Bay is one example. According to Guy, a Nongoma magistrate heard a story that Shaka would march his troops down to the Bay and force them to fight against the crashing waves. Shaka would watch the rigorous exercise from his perch on the Great Cave Rock. Apparently Shaka perched on various rocks quite frequently to watch his troops train.

After his mother’s death and the subsequent starvation, it was clear to the Zulu that Shaka had lost touch with reality. In 1828, Shaka’s half-brothers stabbed him to death. Legend has it that they threw his body into a cooking pot and left him for the vultures.

Sources: Afro-American Almanac at www.toptags.com/aama/bio/men/shaka.htm, South Africa Online Travel Guide at www.southafrica-travel.net/history/eh-zulu.htm, http://campus.northpark.edu/history/WebChron/Africa/ShakaZulu.html, “A Propensity for Sitting on Stones” by Jeff Guy at www.harford-hwp.com/archives/37/023.html


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Sunday, July 5, 2009

Trees - Pencil Sketch for Tree Challenge

Artists who seek perfection in everything are those who cannot attain it in anything.
Gustave Flaubert

"Old Bluegum Tree" - pencil sketch on Bockingford 300gsm watercolour paper - Maree©

Another entry for the Tree Challenge on Vivien's blog - An old Blue gum tree on our smallholding, ravaged by lightning and fire.

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Saturday, June 27, 2009

Laughing Dove

Art washes away from the soul the dust of everyday life.
- Pablo Picasso

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Laughing Dove" pencil sketch with watercolour in Moleskine watercolour sketch-book- Maree

This is Flutterby, a Laughing Dove I was blessed enough to have in my life for 6 months, kind enough to roost contentedly on a rock in my garden while I sketched her.

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Saturday, June 20, 2009

Botanical - Butterfly

Botanical - "Monarch Butterfly" (Danaus plexippus)

Another watercolour done from a photograph taken by Crista of NATURE AS IS, a wonderfully accomplished photographer (even though she insists she's still learning!) whose works portray excellent clarity and composition.

I'm going to try and do a whole range of botanicals of insects and plants and see how they turn out.

In the USA, the Monarch Butterfly undertakes a massive migration of 2,000 miles from Canada to 200 miles South of Mexico, where they over-winter before their return to their North American breeding grounds.

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Wednesday, June 17, 2009

Kalahari Elephants

Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
- Edvard Munch

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Kalahari Elephants" watercolour on Bockingford 300gsm watercolour paper - Maree

I must be honest, I mostly stay away from animal programmes on TV, especially if it shows hard-ships or cruelty. The other night I was watching a program about one of our South African deserts, but included was this story of the elephants that are restricted to the northern parts of the Kalahari Desert in Botswana and their heart-wrenching migration of having to travel for miles to find water.

A portion of the Kalahari Desert transforms for a brief period each year from a parched expanse of arid wasteland to a bountiful floodplain packed with channels, lagoons, swamps and islands — and it has the Okavango River to thank for this temporary transformation into paradise.

During the annual inundation, the Okavango Delta region draws migrating animals like a magnet, among them herds of Kalahari elephants. Elephants must have water on a regular basis, so as the dry season reaches a peak, they follow ancient instincts across the scorched and desiccated sands to the promise of boundless waters in the west.

As the elephants slowly make their way toward the delta, many don't survive on what little resources they find until they finally enjoy a respite in the rich lands touched by the Okavango. Other herds will not complete the migration and may lose members to the harsh and competitive environment of the desert.

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Monday, June 15, 2009

Blackberry Blossom from Nature As Is

"Blackberry Blossom" - a quick pencil sketch and watercolour done from a photograph taken by 'Nature As Is' - on Bockingford 300gsm watercolour paper - Maree

The colours in the photograph are actually much more subtle, (but what's artistic licence for?!) with the flower being almost white with tinges of pink, almost light purple - will re-do it at a later stage and try and capture the correct colours.

Thank you for allowing me to use your amazing photograph Crista!

Photograph by 'Nature As Is'

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Sunday, June 14, 2009

Birds - White-Eye

"There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and be lost."
~ Martha Graham

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"White-eye" sketch with watercolour on Bockingford 300gsm watercolour paper - Maree©

The White-Eyes are regular visitors to my garden. They normally flit around furiously catching the tiniest insects hardly visible to the eye and never sit still for long. Did a quick out-line sketch of this chappie as he gave me the cocky eye and finished it off once they had moved on.

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Tuesday, June 9, 2009

Gloomy picture?

"When it is gloomy outside, I find the sunshine within me. I smile and show others my sunshine. In return, others smile and show me theirs."

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!

"Farm Cottage" watercolour on Bockingford 300gsm watercolour paper - Maree©

I did this painting yesterday, taking my inspiration from the weather outside - dark, gloomy, and only 13ºC outside! with intermittent rain - quite unusual for Gauteng to have rain in Winter, we're a summer rain-fall area - could the seasons be changing?

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Tuesday, June 2, 2009

Birds from Your Garden

Painting birds from your garden can be extremely rewarding. Not only does watching and photographing them provide hours of pleasure, but it gives us a little insight into their habits and daily living survival techniques.

The Fiscal Shrike below is a resident of my garden and she takes her job of keeping other Shrikes at bay very seriously. She knows when I bring mince and suet to the bird feeder, and immediately starts clearing the area, making sure the Robin doesn't get too close either.

"Fiscal Shrike" water colour - Maree©

I had the pleasure of rearing this Grey Lourie from a baby after she'd been rescued from some dogs in a neighbour's garden. She turned out to be a most loving and intelligent pet and we spent many happy hours together.

Grey Lourie and Fiscal Shrike water colour framed  - Maree©

She fell in love with my male Cockatiel and for weeks the two were inseparable until, one evening, she never returned home to roost on the top of her cage, as usual.

The next morning the reason was clearly apparent - she spent the whole day in the garden with a male that must have heard her calls. I put her food on a special bird table and they stayed for a couple of days and then, one morning, they were gone, never to be seen again.

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