JUST ME :: and a stack of blank pages

:: Living creatively ::

About me

This is the real secret of life — to be completely engaged with what you are doing in the here and now. And instead of calling it work, realise it is play. The only thing that is ultimately real about your journey is the step that you are taking at this moment. That’s all there ever is. I’m here to tell you that the path to peace is right there, when you want to get away. When you are present, you can allow the mind to be as it is without getting entangled in it. If you miss the present moment, you miss your appointment with life. That is very serious!

Tuesday, November 30, 2010

Painted Dog

Man is the only creature that consumes without producing. He does not give milk, he does not lay eggs, he is too weak to pull the plough, he cannot run fast enough to catch rabbits. Yet he is lord of all the animals.”
- George Orwell

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


'Wild Dog' - Coffee on Bockingford 300gsm - 12" x 8" - Maree©

The Painted dog or *African Wild Dog* (Lycaon pictus), is a medium-sized canid found only in Africa, especially in Savannahs and other lightly wooded areas. It is also called the *Painted Hunting Dog, African Hunting Dog,* the *Cape Hunting Dog,* the *Spotted Dog,* the *Ornate Wolf* or the *Painted Wolf* in English, *Wildehond* in Afrikaans, and *Mbwa mwitu* in Swahili. It is the only extant species in the genus _Lycaon_, with one species, L. sekowei, being extinct.

There were once approximately 500,000 African Wild Dogs in 39 countries, and packs of 100 or more were not uncommon. Now there are only about 3,000-5,500 in fewer than 25 countries ore less. They are primarily found in Eastern and Southern Africa, mostly in the two remaining large populations associated with the Selous Game Reserve in Tanzania and the population centered in northern Botswana and Eastern Namibia.

Whilst the largest population resides in the Kruger National Park (South Africa), some wild dogs have been released into Madikwe, Pilanesberg and Hluhluwe-Mfolozi, South Africa.

I did this painting with coffee on tea-stained (Five roses, black, and VERY strong!) Bockingford 300gsm - 12" x 8"

Friday, November 26, 2010

Fantasy Arums

“Let us be grateful to people who make us happy; they are the charming gardeners who make our souls blossom.”
- Marcel Proust

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Arum Lilies - Acrylic on Gesso primed un-stretched canvas - 9" x 12" - Maree©

Definitely a first for me, doing a subject that is not true to life. I mean, really, Orange Arums?! What next?! Normally for me, as here, once I apply a back-ground, that normally sets the tone for the rest of the colour palette. And it seemed a natural progression of incorporating orange as the contrast to the yellow back-ground.

All species of Arums (or Zantedeschia) are endemic to southern Africa. Z. aethiopica grows naturally in marshy areas and is only deciduous when water becomes scarce. It grows continuously when watered and fed regularly and can survive periods of minor frosts.

The Zantedeschia species are poisonous due to the presence of calcium oxalate. All parts of the plant are toxic, and produce irritation and swelling of the mouth and throat, acute vomiting and diarrhoea. A beautiful flower carrying a deadly secret!

Wednesday, November 10, 2010

Die Hard!

“You expected to be sad in the fall. Part of you dies each year when the leaves fall from the trees and their branches are bare against the wind and the cold, wintry light. But you knew there would always be the spring, as you knew the river would flow again after it was frozen.”
- Ernest Hemingway

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Watercolour in Moleskine Watercolour sketch-book - 8" x 5"

These blue gum trees (Eucalyptus) on our smallholding (Tarlton, South Africa) are real die hards! They have withstood this past Winter's fire ravages and are already sprouting new young leaves and producing new bark under the old burnt, peeling bark. These trees will never cease to amaze me - I've even seen one that, after being struck by lightning and split down the middle, the one side continued growing, even producing new branches!

Monday, November 8, 2010

The Simple Beauty

Unfurl your cloak of silken white
Reveal your secret wand upraised at length
And not unlike a star you shine serene
To exalt the autumn-tide with silver cups.
Shall we drink sweet nectar as we praise
The simple beauty revealed now in truth?
Or shall we simply sit and idly gaze
Into the eyes of love I have for you?
Calla lily soft and silken white
With open heart I pledge my love this night.
- Author unknown

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!



Arum lilies done one the back of a sheet of Photo printing paper, using coffee (Nescafé Instant, very strong, very black!) - for the back-ground. This paper is actually very thin, and ever so slightly glossy, so it was a completely different feel painting on this in stead of my normal heavy-weight watercolour paper I'm used to. It's also not conducive to allowing the paint, or coffee, to freely flow and mix. I also gave the back-ground a slight salt treatment, which then promptly refused to budge once the painting was dry! I had to scrub it off with a nail brush! I used fine table salt, maybe that could be the reason... But it has somehow imparted a raw quality to the painting.

Zantedeschia is native to southern Africa from South Africa north to Malawi. The Zantedeschia species are poisonous due to the presence of calcium oxalate. *All parts of the plant are toxic,* and produce irritation and swelling of the mouth and throat, acute vomiting and diarrhoea.

Did you know that the striking arum lily "flower" is actually many tiny flowers arranged in a complex spiral pattern on the central column (spadix)? The tiny flowers are arranged in male and female zones on the spadix. The top 7 cm are male flowers and the lower 1.8 cm are female. If you look through a hand-lens you may see the stringy pollen emerging from the male flowers which consist largely of anthers. The female flowers have an ovary with a short stalk above it, which is the style (where the pollen is received). The spadix is surrounded by the white or coloured spathe. According to Marloth, the whiteness of the spathe is not caused by pigmentation, but is an optical effect produced by numerous airspaces beneath the epidermis.


To buy a Greeting card or other fine art print of this image, go to My Redbubble

Wednesday, November 3, 2010

Coffee Trees - Flow-ers of energy

From the Non-physical, you created you, and now from the physical, you continue to create, and we are nothing if we are not Flow-ers of Energy. We must have objects of attention, that are ringing our bells, in order to feel the fullness of who we are, flowing through us, for the continuation of All-That-Is. That is what puts the eternalness in eternity.
- Abraham-Hicks

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Trees - Flow-ers of Energy - Coffee on Bockingford 300gsm

Some more painting with coffee, this is totally exciting! The back-ground was stained with tea first (black and very strong!) you can see it peeping through in the three corners) continuing with coffee when the tea was totally dry. Unlike the coffee, the tea is staining, so doesn't lift easily and takes over-painting and layering like a dream.

This was done exclusively with no sketching beforehand - I just followed the flow of the colours and, trees, being one of my favourite subjects, always seem to appear before my eyes! I also added a bit of Cadmium Red for interest and some Intense Green for a couple of leaves. The dark parts are where the coffee dried to a rich, glossy sheen on the original, but doesn't show up on the scan.

Done on a thick Bockingford 300gsm watercolour paper - 12" x 8"

Tuesday, November 2, 2010

Reflections

Everyone and everything that shows up in our life is a reflection of something that is happening inside of us.
- Alan Cohen

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Reflections" - Watercolour on Bockingford 300gsm - 8" x 12" (A4)

After all the coffee painting I've done (and there are more to follow!), I craved the good flow of my familiar and beloved watercolours and here I really just played with my colours wet-in-wet, with no preliminary sketching, enjoying the interaction of the colours and watching the picture appear! Nothing like watercolours! Whoot whoot!

Saturday, October 30, 2010

Coffee Charred Landscape

"Because of the routines we follow, we often forget that life is an ongoing adventure. We leave our homes for work, acting and even believing that we will reach our destinations with no unusual event startling us out of our set expectations. The truth is we know nothing, not where our cars will fail or when our buses will stall, whether our places of employment will be there when we arrive, or whether, in fact, we ourselves will arrive whole and alive at the end of our journeys. Life is pure adventure and the sooner we realize that, the quicker we will be able to treat life as art: to bring all our energies to each encounter, to remain flexible enough to notice and admit when we expected to happen did not happen. We need to remember that we are created creative and can invent new scenarios as frequently as they are needed."
~ Maya Angelou - 'Wouldn't Take Nothing for My Journey Now'

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Charred Landscape" - Coffee and watercolour on Bockingford 300gsm watercolour paper
- 12" x 8"


Another exploration into the world of painting with coffee - I really love the natural, earthy colour it imparts and here I used it for the tree and all of the fore-ground, and got a bit bolder, using watercolour for the sky and mountains. The very dark parts on the tree and the trunks is achieved by dipping my brush into the very strong residue at the bottom of the glass and it actually dried to a rich, thick sheen, not visible on the scan. For the white areas I used art masking fluid, removing it afterwards (I just *love* peeling that stuff from the paper and my fingers!) and softening the stark white with a bit of coffee.

This is a depiction of our South African landscapes after the ravages of all the veld fires we have during winter.

Wednesday, October 27, 2010

Coffee Daisies

"Good Art comes from good Inspiration!"
- Maree

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Coffee Daisies" - Coffee and watercolour on Bockingford 300gsm - 12" x 8"

I have discovered painting with coffee! I have used both coffee and tea in staining certain materials before, especially cotton, but never thought of using it in art until I saw some of Barbara Glatzeder's art on RedBubble.

I've painted these daisies almost totally with coffee, adding a bit of Cadmium Red to the background, leaving it to dry over-night. Then I did the flowers straight on the page with coffee the next morning (Nescafé instant, made VERY strong!), no sketching. A bit of grey/green was used for the flower stalks.

When looking at the original, the coffee, when it dries, leaves the richest, shiniest, wet-looking patina, better than any permanent staining watercolour, absolutely great! Wish they made coffee in other colours!! And as Barbara says, the artwork smells great!

I'm disappointed in the scanning of this image, as the rich patina of the coffee doesn't show at all.

You can view more Coffee Art HERE.

Sunday, October 10, 2010

Gemsbuck in the Kalahari

I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
- James Thomson

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


Watercolour on Bockingford 300gsm - 12" x 8"

The gemsbok or gemsbuck (Oryx gazella) is a large African antelope, of the Oryx genus. The name is derived from the Dutch name of the male chamois, gemsbok. Although there are some superficial similarities in appearance (especially in the colour of the face area), the chamois and the oryx are not closely related.

In the *Kalahari Desert in South Africa*, they have to trek vast distances to find water. The park covers an area of a little less than 10,000 square kilometers and consists of mile upon mile of rolling rust-red sand dunes, solitary trees and scattered grasses. For lovers of the ambience of untamed Africa, this hauntingly beautiful region has a special appeal all of its own. The Kalahari Desert is a part of the largest continuous area of sand in the world.

Tuesday, October 5, 2010

Consumed by desert sands

Am I willing to give up what I have in order to be what I am not yet? Am I able to follow the spirit of love into the desert? It is a frightening and sacred moment. There is no return. One's life is charged forever. It is the fire that gives us our shape.
- Mary Richards

A daily practice of sketching and painting gives you a chance to exercise the big three P's - practice, practice, practice!


"Consumed by desert sands" - watercolour on Bockingford 300gsm 12" x 8"

A short fiction ...

Trudging gingerly across the arid sands of the desert, the explorer is careful not to put a foot wrong, for he knows it may be his last. He scours the land and shifting valleys for tell-tale signs of disturbance in the sands below, always ready for the unexpected lurch of an alien being said to kill in one strike with a sharp spout of acidic venom to the face. A creature so secretive that no photographic evidence yet exists, but the locals know it’s there, always waiting in silence for its prey, waiting to strike ...

Just playing with watercolours on a clean sheet of paper gives me great pleasure, not knowing how it's going to turn out or what's going to show up. Here I used Burnt Sienna with a bit of Sepia, watching the interaction and flow of the colours. I can spend hours filling sheet after sheet with colour, watching how the colours react and fascinated by the contours formed in the process.